A gilt-bronze rectangular plaque with the Penitent Magdalene, The Netherlands, late 16th century by Unknown artist
A gilt-bronze rectangular plaque with the Penitent Magdalene, The Netherlands, late 16th century by Unknown artist
A gilt-bronze rectangular plaque with the Penitent Magdalene, The Netherlands, late 16th century by Unknown artist
A gilt-bronze rectangular plaque with the Penitent Magdalene, The Netherlands, late 16th century by Unknown artist

A gilt-bronze rectangular plaque with the Penitent Magdalene, The Netherlands, late 16th century 1560 - 1699

Unknown artist

Gilt bronzeMetal
Currently unavailable via Gallerease

Jongeling Numismatics & Ancient Art

  • About the artwork

    Cast and chased gilt-bronze plaque, unattributed Mary Magndalene in mournful attitude, holding crucifix, behind her a city, Jerusalem, by her side a skull, a scourge, and her attribute an ointment jar With later loop See for a comparable gild-bronze plaque with the mourning St. Peter in: Warren, Jeremy, Vol 3 Medieval and Renaissance Sculpture in the Ashmolean Museum: Plaquettes (Oxford: Ashmolean Museum Publications, 2014), pp. 1046 – 1048 no. 506. Mary Magdalene was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to his crucifixion and its aftermath. Mary’s epithet Magdalene may mean that she came from the town of Magdala, a fishing town on the western shore of the Sea of Galilee.

  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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