A rare Meissen ewer and octagonal basin by Unknown artist
A rare Meissen ewer and octagonal basin by Unknown artist
A rare Meissen ewer and octagonal basin by Unknown artist
A rare Meissen ewer and octagonal basin by Unknown artist

A rare Meissen ewer and octagonal basin 1745

Unknown artist

Porcelain
Currently unavailable via Gallerease

  • About the artwork
    A rare Meissen ewer and octagonal basin, circa 1745

    Each finely painted with a landscape scene of polychrome Watteauesque figures against a grey monochrome park setting, depicting on the basin Harlequin behind a monument, a seated lady and child, a gentleman and two ladies standing and two dogs in the foreground, the ewer with two ladies and a gentleman and a seated lady by a sculpture on a pedestal, the basin with a pedestal with foliate ornament flanked by flower swags at the base, both painted with scattered flowers (Holzschnittblumen), fine gilt trellis borders edged with foliate scrollwork to the rims, the reverse of the basin with further flowers and scattered blooms, the basin: 33cm across, crossed swords marks in underglaze-blue, impressed 27 to basin, gilt I. to ewer

    The figures of the seated lady and the gentleman on the basin are from a print by Pierre-Alexandre Aveline (1702–1760) after Jean-Antoine Watteau's 'L'Enseigne de Gersaint'.
  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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