Andy Warhol. Catalogue Raisonné. Paintings and Sculptures 1970-1974. Volume 3 by Andy Warhol
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Andy Warhol

Andy Warhol. Catalogue Raisonné. Paintings and Sculptures 1970-1974. Volume 3 2010

Paper
25 ⨯ 29 cm
€ 395

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About the artwork

WARHOL - King-Nero, Sally & Neil Printz; July 2010, (29 x 25 cm), 572 pp. English text, 700 colour ills., 150 b/w. ills., hardcover in carton slipcase.

The sculpture and paintings of 1970-4 are the subject of this third volume of the catalogue dedicated to publishing the complete paintings, sculptures and drawings of Andy Warhol (1928-87). As authoritative and detailed as the highly praised first two volumes, here Warhol's sculptures and paintings of these four years are comprehensively catalogued and illustrated. Early in this period Warhol was concentrating on film and sculpture, as he had been since being shot in 1968, but by late 1971 or early 1972 he was returning to painting and developing his painterly, 'sloppy and fast' style. The volume covers major sculptures, such as the Rain Machine, the series of paintings Mao and Man Ray, and commissioned portraits of important, celebrated and fashionable people of the day - many from Warhol's travels through Europe during this time. It is a time of great transition for Warhol, including developing his relationships with various media and the impact of his first purchase of a Big Shot Polaroid camera. His diaries and the photographs he took on travels and of his subjects enliven the narrative and give intriguing insights into his works of these years and his unique engagement with the culture and society of that time.

About the Artist

Andy Warhol was born Andrew Warhola on August 6, 1928, in Pittsburgh. He received his B.F.A. from the Carnegie Institute of Technology, Pittsburgh, in 1949. That same year, he moved to New York, where he soon became successful as a commercial artist and illustrator. During the 1950s, Warhol's drawings were published in Glamour and other magazines and displayed in department stores. He became known for his illustrations of I. Miller shoes. In 1952, the Hugo Gallery in New York presented a show of Warhol's illustrations for Truman Capote's writings. He traveled in Europe and Asia in 1956.

By the early 1960s, Warhol began to paint comic-strip characters and images derived from advertisements; this work was characterized by repetition of banal subjects such as Coca-Cola bottles and soup cans. He also painted celebrities at this time. Warhol's new painting was exhibited for the first time in 1962, initially at the Ferus Gallery, Los Angeles, then in a solo exhibition at the Stable Gallery, New York. By 1963, he had substituted a silkscreen process for hand painting. Working with assistants, he produced series of disasters, flowers, cows, and portraits, as well as three-dimensional facsimile Brillo boxes and cartons of other well-known household products.

Starting in the mid-1960s, at The Factory, his New York studio, Warhol concentrated on making films that were marked by repetition and an emphasis on boredom. In the early 1970s, he began to paint again, returning to gestural brushwork, and produced monumental portraits of Mao Tse-tung, commissioned portraits, and the Hammer and Sickle series. He also became interested in writing: his autobiography, The Philosophy of Andy Warhol (From A to B and Back Again), was published in 1975, and The Factory published Interview magazine. A major retrospective of Warhol's work organized by the Pasadena Art Museum in 1970 traveled in the United States and abroad. Warhol died February 22, 1987, in New York.