Art Nouveau Vase 1904 - 1905
21 cm, ø 6 cm
€ 2.000 - 5.000
- About the artwork
Beautiful rare vase by Johann Lötz Witwe with the decor 'Maximia', a decor by Lötz that is rarely seen. The decor Maximia is a decor from 1904, the year in which Lötz also participated in the World Exhibition in St.Louis in the US, they won several prizes. The vase has a pinched shape with an organic neck and is made of clear glass with a decor of molten silver and yellow grains in a splashing decor (Candia) on the outside, with blue threads drawn in a wavy pattern. The whole is iridescent. The production number of the vase is 895.
- About the artist
De Eerste Wereldoorlog en het einde van het Oostenrijkse Keizerrijk betekende een moeilijke periode voor Lötz.
Lötz bestond tot 1940, na een bombardement was de fabriek volledig afgebrand. Na WOII behoorde Tsjechië tot de satellietstaten van de Sovjet-Unie, de fabriek werd genationaliseerd, totdat deze definitief gesloten werd in 1947.
Lötz glas is nog steeds erg geliefd en wordt wereldwijd verzameld, daarnaast is hun oeuvre ook in vele musea collecties terug te vinden.
The Loetz glassworks existed in Klostermuhle, Austria, for just over a hundred years, starting from 1840. But its heyday was during the life-time of Max Ritter Von Spaun, grandson of the original Johann Loetz who had founded the company. Von Spaun took over the company in 1879 and ran it until 1908, a year before his death. He was assisted by Eduard Prochaska, his technical specialist, and together they invented, designed and produced a whole series of wonderful new types of glass, taking out several patents and winning awards at all the major world exhibitions during the 1890's and the first years of the new century.
The Loetz company were amongst the leaders in Art Nouveau design and expecially in irridescent art glass. "Papillon" glass, like the vase on the left, is sometimes known today as "oil spot" glass. Another favorite Loetz coloring was irridized glass with pulled trails called "Phenomenon" glass. There were irridized vases with ribbons of metallic colors winding over the surface, and many spectacular designs with applied trails of beautiful colours, or simply pulled out of the body of the glass to form handles or decoration.
About 1900 the company started collaborating with outside designers, and some great artists designed pieces for Lotz, notably Joseph Hofmann, Koloman Moser, Maria Kirchner, and Hofstatter.
In 1908 Loetz was taken over by Max Von Spaun's son, also called Max, and although it struggled financially (going through bankruptcy in 1911 and again in 1931) there were several great designers whose work was produced by Loetz during those years and through the art decoration period. These included Adolf Beckert and Michael Powolny.