François-Théodore Legras – Tall “Fleurs de Pommier” apple blossoms vase 1900 - 1909

Unknown artist

GlassCameo
41 cm, ø 12 cm
ConditionMint
Price on request

Antiques Emporium

• About the artwork
  François-Théodore Legras was a celebrated French glassmaker renowned for his significant contributions to the Art Nouveau movement. Born in 1839 in the Vosges region, Legras rose to prominence in the late 19th and early 20th centuries, becoming a key figure in the world of decorative arts. His work is characterized by its intricate designs, innovative techniques, and a profound appreciation for nature, all of which resonate strongly in his glass creations.
  
  One of Legras’s most exquisite and refined works is the series “Fleurs de pommier,” which translates to “Apple Blossoms.” This series is widely regarded as his masterpiece, encapsulating the essence of the Art Nouveau style with its fluid forms and organic motifs. The vases in this series reflect a profound Japanese influence, which was a significant source of inspiration for many Art Nouveau artists. This cross-cultural artistic exchange is evident in the delicate, nature-inspired themes and the exceptional attention to detail.
  
  The “Fleurs de pommier” vase, in particular, is a stunning representation of Legras’s artistry and technical skill. The glass of the vase is imbued with breathtaking colors that evoke the serene beauty of an early spring morning. The subtle hues blend seamlessly, creating a visual symphony that brings to life the freshness and vitality of apple blossoms in full bloom. This vibrant yet gentle color palette enhances the overall sense of elegance and refinement.
  
  What truly sets this vase apart are the intricate details of the apple blossom branches, leaves, and flowers, meticulously rendered with multicolor enamel paint. Each element is crafted with great finesse, showcasing Legras’s mastery in manipulating glass and enamel to achieve such lifelike representations. The branches twist and turn gracefully, the leaves are rendered with a delicate touch, and the blossoms themselves appear almost tangible, as if ready to be plucked.
  
  Adding to the vase’s allure is the signature “Legras” inscribed on its lower side, a mark of authenticity and craftsmanship. Additionally, an original label from the reseller “Bronzes d’art Oudir, Marseille” is applied over an older label, creating an intriguing mystery about what lies beneath. This hidden label adds an element of historical curiosity and depth to the vase’s provenance, sparking the imagination about its journey through time and ownership.
  
  This vase is not just a piece of decorative art; it is a celebration of nature’s ephemeral beauty, frozen in time. It embodies the spirit of Art Nouveau, with its emphasis on natural forms, intricate details, and harmonious design. Legras’s “Fleurs de pommier” vase is a testament to his vision and craftsmanship, making it a cherished piece for collectors and art enthusiasts alike.
  
  In conclusion, François-Théodore Legras’s “Fleurs de pommier” series stands as a pinnacle of his career, exemplifying the most beautiful and refined work he ever produced. The strong Japanese influence, combined with the hallmarks of Art Nouveau and the exquisite execution in multicolor enamel paint, makes this vase a remarkable tribute to the beauty of nature and the skill of its creator. The signature and the mysterious labels add further layers of intrigue and authenticity, enhancing its value and appeal.
  
  Dimensions:
  Height: 415mm / 16.34”
  Diameter opening: 40mm / 1.57”
  Diameter top: 57mm / 2.24”
  Diameter base: 125mm / 4.92″
  
  Weight: 1,35 kg / 2.21 lb
  
  Condition: Mint
  
  Provenance: A French lady collection
  
  
  Literature:
  Michel, Fouchet & Vitrat – Legras Verrier – Page 162.
• About the artist

  It might happen that an artist or maker is unknown.

  Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

  As well you can find the following description:

  •“Attributed to ….” In their opinion probably a work by the artist, at least in part

  •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

  •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

  •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

  •“Manner of ….” In their opinion a work in the style of the artist but of a later date

  •“After ….” In their opinion a copy (of any date) of a work of the artist

  •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

  •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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