Important Ormolu-mounted Cartel Clock with Bracket by Unknown artist
Scroll to zoom, click for slideshow

Important Ormolu-mounted Cartel Clock with Bracket 1744 - 1746

Unknown artist

BronzeGoldMetalGilt
133 ⨯ 51 ⨯ 24 cm
Currently unavailable via Gallerease

  • About the artwork
    The movement of ca. twenty-one day duration, with verge escapement. Striking on the hours and half hours. The chapter ring with twenty-five cartouches, the hands of blued steel.

    The waisted and domed clock case of “corne bleue” is painted with flower sprigs and foliage in gold and red.
    The chased ormolu mounts on the bracket show an asymmetric ornament with C-volutes, acanthus foliage and flower garlands.
    The front of the clock is mounted in an ormolu band with at the top a rosette within foam-edges and foliate scrolls. The glass sides show beaded edges.
    The lower part of the glass door is decorated with an asymmetrical ornament with acanthus scrolls, flowers and foam-edges.
    The dome is mounted with entwined serpents and is crowned by a high finial with acanthus- and foam-edged volutes and with flower sprigs behind a swan.

    The great quality of the chased mounts and the beautifully executed gold coloured flower sprigs, together with the striking colour of the corne bleue enhance the lines of both clock and bracket in an exceptional way.

    Signed on the white enamel dial: J. Roussel a Paris. (Jean-Michel Roussel: 1712-1766).
  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist