Pair of Italian Carara Marble Vases by Unknown artist
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Pair of Italian Carara Marble Vases 1869 - 1871

Unknown artist

Carrara MarbleStone
77 cm, ø 55 cm
Currently unavailable via Gallerease

  • About the artwork
    A pair of white Carara marble vases of classical form, possibly Italian, made around 1870.
    On a square plinth, the circular foot of both vases is of fluted, concave form and decorated with pearls. The lower, moulded, part of the body is decorated with vine leaves and lions masks. Higher up the body shows trailing grapevines with foliage and bunches of grapes, which continue under the rim at the top of the vase. The rim itself is separated from the body by an astragal moulding and decorated with the same mouldings as the lower part.

    During the 19th century movement called Historicism, artists and craftsmen tried to express the individual characteristics of their country by reverting to forms and patterns of earlier, successful periods in their country’s history. In Italy, this meant both the Classical period and the Renaissance.
    This pair of vases is an example of Historicism both in the form of the objects which is of Classical inspiration and in the decoration of the grapevines, referring to Bacchus the god of wine and pleasure in Classical mythology.
  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist