Special edition book (signed) and small artwork by HERMAN DE VRIES: "BEING THIS JOY EXPERIENCE UNITY 2012
Herman de Vries
Price on request
Gallerease Selected
- About the artworkBox with signed book by the artist, plus a small artwork and Dvd
Limited edition of 50
Also available in a larger luxe booksuite of 10 with artists:
- Hermann Nitsch, "Under My Skin." 2010
- Lawrence Weiner, "Skimming the Water / Ménage à Quatre." 2010
- On Kawara,"Unanswered Questions." 2011
- Roman Opalka,"Time Passing." 2011
- Arnulf Rainer,"Unfinished Into Death." 2011
- Lee Ufan,"Encounters." 2012
- Ben Vautier, "Introspection, Thrugh Art & Sex" 2013
- Yoko Ono, "Arising." 2014
- Herman de Vries: Being This Joy Experience Unity." 2014
- Otto Piene & Heinz Mack: "From ZERO to ZERO"
Content: https://europeanculturalcentre.eu/var/gallery/file/6836287246393a9a8a0405555352eb79.pdf - About the artist
Herman de Vries, a distinguished Dutch artist born on July 11, 1931, in Alkmaar, chooses to present his name in lowercase—herman de vries—on his artworks as a statement against hierarchical structures. Alongside his wife Susanne, de Vries resides and creates in Eschenau, near Knetzgau, Germany, where nature and the environment play a central role in his artistic exploration.
De Vries embarked on his artistic journey with a focus on "nature and plants" starting in 1953 and transitioned to painting towards the end of the 1950s. His work often intertwines with environmental themes and historical narratives, offering a profound critique and celebration of the natural world.
A notable installation by de Vries, unveiled in May 2002 along the banks of the Rhine in Düsseldorf, serves as a poignant critique of Saint Boniface's historic act of felling the Donar Oak. This piece features a 7-meter tall oak tree encircled by a palisade of cast-iron spears, each tip gilded in gold. Inscribed along this barrier, in Latin, is the phrase "wynfrith me caesit--herman me recreavit" ("Wynfrid cut me down, Herman resurrected me"), symbolizing a rebirth and homage to the ancient tree's significance.
In 1993, during the World Horticultural Exposition in Stuttgart, de Vries created "Sanctuarium," a serene forest space enclosed by a circular palisade of wrought iron spears, again with gold tips. This installation was intended as a sacred, undisturbed haven. However, in a controversial move in 2018, the city's parks department cleared the area as part of a routine pruning policy, prompting de Vries and two fellow artists to consider legal action in defense of the artwork's integrity. A similar installation by de Vries, located in Münster, is protected by a brick wall, underscoring his commitment to creating spaces that invite reflection on our relationship with nature and the environment.
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