17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Unknown artist
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Unknown artist
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Unknown artist
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Unknown artist
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Unknown artist
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Unknown artist
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Unknown artist
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Unknown artist
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Unknown artist
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Unknown artist
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Unknown artist
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Unknown artist
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Unknown artist
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Unknown artist

17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guill 1640 - 1660

Unknown artist

Mixed mediaMixed Media incl oil on panel
51.50 ⨯ 84.50 ⨯ 4 cm
ConditionGood
Price on request

Spectandum Gallery

  • About the artwork
    Hunting played an essential role in the lives of princes and nobles for centuries. It was no different in the 17th century. Paintings depicting hunting scenes were hung, for example, in the hunting lodges of elites. It should be noted that the upper bourgeoisie also began to show interest in painted hunting scenes during the 17th century. In the Southern Netherlands there were a number of skilled animal painters who produced hunting scenes, including Frans Snijders, Paul De Vos, Jan Roos, Pieter Boel and Jan Fyt. Snijders knew how to render the anatomy of the animals masterfully. Also, he managed to make his animals look intelligent. He let them express a variety of feelings. His colleague, Paul De Vos, seems to have been less familiar with animal anatomy. His animals lack a kind of individuality and psychological expression. The panel shows a boar hunt with dogs. It was a prevalent theme, portrayed by Rubens, Snijders, De Vos and others. Buyers were especially interested in the showdown between animal species. The mental and physical strength appealed to their imagination. The painter of this little work has no solid knowledge of dog breeds. Due to a lack of insight into dogs' bone and muscle structure, he makes them look rather stiff. Mainly the heads have something naïve about them. It cannot be ruled out that the artist of this painting is Jan van Kessel. Van Kessel painted a lot of animals (mainly insects and birds), flowers and symbolic pieces. (Panel marked by Guilliam Gabron 1609-1662, Antwerp ?)
  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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