A rare Sawasa ware book-form box and cover, Edo period, early 18th century by Unknown artist
A rare Sawasa ware book-form box and cover, Edo period, early 18th century by Unknown artist
A rare Sawasa ware book-form box and cover, Edo period, early 18th century by Unknown artist
A rare Sawasa ware book-form box and cover, Edo period, early 18th century by Unknown artist
A rare Sawasa ware book-form box and cover, Edo period, early 18th century by Unknown artist
A rare Sawasa ware book-form box and cover, Edo period, early 18th century by Unknown artist

A rare Sawasa ware book-form box and cover, Edo period, early 18th century 1700 - 1750

Unknown artist

GoldMetalGiltLacquer
7 ⨯ 4 ⨯ 1 cm
ConditionGood
Price on request

Menken Works of Art

  • About the artwork
    A rare Sawasa-ware book-form box and cover.
    Edo period, early 18th century.

    The book-shaped box with an integrated hinged lid with a wide inner rim. The front and back are decorated with trees, pavilions and birds in high black lacquered relief designs on a gilt granulated background, contained within a double frame. The spine of the book showing traces of gilt. The inside is gilded as well. The box seemingly opens on the wrong side, probably because the Asian craftsman was unfamiliar with books of this type.

    Dimensions:
    Length 7,5 cm, width 4,5 cm, depth 1,5 cm.

    Lit:
    Two identical boxes are illustrated in Sawasa: Japanese Export Art in Black and Gold 1650-1800 (Rijksmuseum Amsterdam, 1998), pp. 77-78, no’s B.19.1 and B.19.2

    Note:
    The luxurious Sawasa tobacco- and snuffboxes, shaped according to European taste, were commissioned by the Dutch East India Company. Receiving such assignments from foreign customers was no novelty for the Chinese and Japanese craftsmen, since they were already accustomed to catering for other Asian markets. However, although the boxes had European shapes, they were decorated in Oriental style.

    It is difficult to determine whether a tobacco box was made by a Chinese or Japanese craftsman, since the Japanese copied the Chinese. Sawasa ware was thought for many years to be of Chinese origin and was originally labelled as Tonkin Ware. However, it is now thought that these objects, manufactured until the mid-18th century, were made in Nagasaki and exported via Deshima. Most surviving examples of Sawasa ware take the form of Dutch originals, such as tobacco boxes, tea sets, cups and saucers, tea kettles and coffee urns.

    For other examples of Sawasa ware see the collections of the Rijksmuseum, Amsterdam, the Victoria and Albert Museum, London and the Metropolitan Museum of Art, New York.

    Inv. No: MW380
  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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