Groenburgwal met Zuiderkerk by Bernard van Beek
Groenburgwal met Zuiderkerk by Bernard van Beek
Groenburgwal met Zuiderkerk by Bernard van Beek
Groenburgwal met Zuiderkerk by Bernard van Beek

Groenburgwal met Zuiderkerk 1900 - 1940

Bernard van Beek

Original oil on canvas
70 ⨯ 100 cm
Price on request

Bruning Heintz Fine Art

  • About the artwork
    Grootte 100 x 70 cm
    Signatuur Gesigneerd
    Materiaal Olieverf op doek
    Stroming Klassiek impressionisme
    Locatie Amsterdam
    Provenance Particuliere collectie Nederland

    Groenburgwal met Zuiderkerk door Bernardus van Beek. Het uitzicht vanaf de Amstel is op zich al een schilderij. Ook de grote Monet wist deze schilderachtige plek circa 20 jaar voor van Beek al te vinden. Van Beek legde het tafereel heel mooi vast in dit grote doek dat een feest is om naar te kijken.
  • About the artist

    Bernardus Antonie ('Bernard') van Beek (Amsterdam, 30 January 1875 – Kortenhoef, 6 March 1941) was a Dutch painter, known for his atmospheric landscapes and associated with the Hague School. His work is characterised by a subtle use of colour and a special attention to the mood of the landscape.

    Youth and education

    Van Beek began his career as a decorative painter with his father and then studied at the School for Applied Arts. Although he did not receive formal academic training in painting, he developed into a skilled painter.

    Artistic development and influences

    Initially, Van Beek lived and worked in Amsterdam, but from 1901 onwards he regularly visited the water-rich Kortenhoef to paint. In 1911 he settled permanently in this village, where he became friends with Constant Gabriël. Gabriël had a great influence on Van Beek's early work and introduced him to subjects such as ditches with water lilies, drying traps at a lake and peat dredgers. He also received advice from Evert Pieters and Jan Hillebrand Wijsmuller, who further refined his technique.

    Style and theme

    Van Beek's landscapes show a clear influence of the Hague School, with an emphasis on tonality and atmosphere. His palette is predominantly subdued, with subtle colour nuances that capture the melancholy and tranquillity of the Dutch landscape. In addition to the characteristic Kortenhoef lakes and water lilies, he also painted old city neighbourhoods and, especially in the 1920s, bright, light village scenes.

    Heritage and legacy

    Bernard van Beek died on 6 March 1941 in Kortenhoef, aged 66. His work is included in the collections of various museums, including the Goois Museum in Hilversum. His paintings offer a timeless window into the Dutch landscape and village life of the early 20th century, and remain prized for their serene beauty and technical craftsmanship.

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