'Insects' 1926
Qi Baishi
Watercolour
15 ⨯ 230 ⨯ 5 cm
ConditionGood
Price on request
Willem Kerseboom Gallery
- About the artwork
Qi Baishi (1864-1957). (Insects). Leporello with 9 watercolours on paper, partly w. sprinkled goldleaf, signed [Chinese:] "Old man Baishi" and w. red artist's seal, bound as a leporello between silk over wooden covers w. wooden borders, 15x230 cm. (unfolded) (15x10 cm. folded). - Slightly foxed, but otherwise in fine condition. = Delicately painted insects, depicting i.a. two praying mantises, several grasshoppers and a red dragonfly.
Qi Baishi (1 January 1864 – 16 September 1957)
Leporello ,22 pages + covers.
15x10 cm each page
Total 15x230 cm
Text : 己巳秋八月白石老人畫小蟲 „kleine Insekte gemalt von dem alten Mann Baishi im 8. Monat des Herbst des jisi-Jahres (1929)“
Seal : 老白 (Lao Bai)
The subjects of his paintings include almost everything, commonly animals, scenery, figures, toys, vegetables, and so on. He theorized that "paintings must be something between likeness and unlikeness, much like today's vulgarians, but not like to cheat popular people". In his later years, many of his works depict mice, shrimp or birds. He was also good at seal carving and called himself "the rich man of three hundred stone seals" (三百石印富翁). In 1953, he was elected president of the China Artists Association (中國美術家協會). He died in Beijing in 1957. - About the artist
Qi Baishi (1864–1957) was one of the most influential Chinese painters of the 20th century, celebrated for revitalizing traditional ink wash painting with a fresh, modern sensibility. Born into a humble farming family in Xiangtan, Hunan province, he was largely self-taught, beginning his career as a carpenter before devoting himself fully to art. This late and unconventional entry into the art world shaped his lifelong focus on ordinary life and accessible subjects.
Qi’s work is best known for its depictions of everyday motifs—shrimp, crabs, insects, vegetables, and flowers—rendered with remarkable vitality and simplicity. His style combined bold, expressive brushwork with bright, often unexpected colors, creating compositions that feel both spontaneous and deeply controlled. Central to his artistic philosophy was the concept of xieyi (“spirit-likeness”), where capturing the essence and energy of a subject mattered more than precise realism. His shrimp paintings, in particular, are widely admired for their transparency, movement, and lifelike presence achieved with minimal strokes.
Blending poetic sensitivity with keen observation, Qi Baishi bridged the gap between literati painting traditions and a more populist, modern approach. He rejected rigid academic conventions, instead embracing intuition, humor, and personal expression. Over time, his work gained national and international recognition, and he became a symbol of Chinese cultural identity during a period of profound social and political change.
Today, Qi Baishi is regarded as a master who transformed classical techniques into a living, evolving art form—one that continues to inspire generations of artists with its balance of tradition, innovation, and joyful immediacy.
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