Kubistisch kustlandschap aan de Méditerranée by Gerrit Willem van Yperen
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Kubistisch kustlandschap aan de Méditerranée 1933 - 1948

Gerrit Willem van Yperen

Original oil on canvas
21 ⨯ 29 cm
€ 1.000 - 5.000

Kunsthandel Pygmalion

  • About the artwork
    Gerrit Willem van Yperen (Hillegersberg 1882-1955 Barbados (Brits West-Indië))
    Kubistisch kustlandschap aan de Méditerranée
    21x29 cm
    Olieverf op doek op paneel, gesigneerd r.o.
    Van Yperen werkte in Amsterdam (1933-1948), Zuid-Frankrijk (Nice, Marseille), op Trinidad en Barbados. Hij was lid van de kunstenaarsverenigingen De Onafhankelijken in Amsterdam en De Rotterdamse Kunstenaars Sociëteit. In 1948 vertrok Van Yperen naar Paramaribo. Later belandde hij op Trinidad, Barbados en de Bermuda’s. Zijn werk werd verhandeld door o.a. Kunstzaal Van Lier en Kunsthandel Reeker te Amsterdam.
  • About the artist

    Gerrit Willem van Yperen (Hillegersberg, 1882 – Barbados, 1955) was a Dutch painter, draughtsman and illustrator who distinguished himself through his versatile oeuvre and international career. Although he had his artistic roots in the Netherlands, he spent a significant part of his life and work outside Europe, including in the then British West Indies. His work moves between realism and impressionism, with a strong focus on colour, light and atmosphere.

    Van Yperen was educated at the Academy of Fine Arts in Rotterdam, where he acquired a solid classical foundation. He developed a preference for portraits, figure pieces and exotic scenes at an early age. His later stay in the Caribbean enriched his palette and themes: sunlight, tropical vegetation and local scenes became a permanent feature in his work, distinguishing him from many of his contemporaries.

    In addition to his free painting, Van Yperen was also active as an illustrator, and possibly as a drawing teacher or designer, further expanding his artistic reach. His work demonstrates great technical mastery and a strong sensitivity to the visual richness of his surroundings. The combination of Dutch painting tradition and Caribbean influences makes his oeuvre special within the context of early 20th-century Dutch art.

    Relatively little is known about his life in Barbados and the precise circumstances of his death, which contributes to a certain mystique surrounding his person. Nevertheless, Gerrit Willem van Yperen leaves behind a fascinating and idiosyncratic oeuvre that extends across continents, cultures and atmospheres — an artist who knew how to connect the familiar and the distant in colour, form and feeling.

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