Montmartre-Moulin de la Galette 1920
Gustave Fréderic Chanet
Oil paintPanelPaint
33 ⨯ 24 cm
€ 1.000 - 5.000
Kunsthandel Pygmalion
- About the artworkGustave Fréderic Chanet (Parijs 1862-1938 Parijs)
33 x 24 cm
Olieverf op paneel - About the artist
Robert Ives Browne was an English painter, born in 1906 in the county of Kent. His oeuvre, consisting mainly of oil paintings and watercolours, shows a deep-rooted appreciation for the English landscape, especially the rolling hills of the Cotswolds, the vast fields of Surrey and the coastline of southern England. His work balances between realism and impressionist influences and is characterised by a calm, almost contemplative atmosphere.
Browne studied at the Slade School of Fine Art in London, where he mastered the traditional techniques of drawing and painting. He was influenced early on by British landscape painters such as John Constable and Samuel Palmer, but gradually developed his own visual language. His use of colour is often subdued: muted greens, soft greys and earthy tones dominate his paintings, with which he manages to capture the silence and melancholy of the British countryside.
During and after the Second World War, Browne also worked as a war artist. His work from this period does not show the heroism of struggle, but rather the stillness of everyday life amid uncertainty: a deserted farm, a torn flag, rain over a field. This sensitivity to the small, almost invisible drama made him popular with collectors seeking authenticity and human scale.
In the 1950s and 1960s he exhibited regularly in London and elsewhere in England. His work was included in private collections and several regional museums. He lived a secluded life in Hampshire, where he continued to paint until his death in 1991, often revisiting the same places to capture the changes of light, season and time.
Robert Ives Browne is today regarded as an undervalued figure in twentieth-century British painting – an artist who did not seek to dramatise the world, but rather to observe it with quiet attention. His work invites us to look, to slow down and to look again.
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