Old citymap of 's-Hertogenbosch 1652
Joan Blaeu
Paper
42 ⨯ 53 cm
€ 1.450
Inter-Antiquariaat Mefferdt & De Jonge
- About the artwork“Sylva Ducis Gallis vulgo Bois le Duc; vernacule ’s Hartogen Bossche” [Sylva Ducis, in French commonly called Bois-le-Duc; in the vernacular: ’s-Hertogenbosch.] Copper engraving published by Joan Blaeu in 1652 as part of his town book Tooneel der Steden. Coloured by a later hand. Size approx. 42.5 × 53 cm. The Duke of Brabant founded ’s-Hertogenbosch at the end of the twelfth century as the north-easternmost defensive outpost of his duchy. Because it lay near the “three-borders point” of Brabant, Guelders, and Holland, ’s-Hertogenbosch held great military importance for centuries. The city was provided with powerful fortifications and was almost impossible to conquer. During the Eighty Years’ War the Dutch States forces tried no fewer than six times—unsuccessfully—to capture it (in 1585, 1591, 1594, 1601, 1603, and 1622). The opposing side spent vast sums on improving and extending the fortifications. In 1629 Prince Frederick Henry besieged the supposedly impregnable city with 30,000 men; after three months it was forced to capitulate. Following the conquest, a massive citadel (or fortress) was built on the north side of the city. On the map (lower left) one can clearly see that the fortress commanded an open field of fire toward the city; the houses along the Orthenweg (“Casteels Pleyn”) were demolished for this purpose. The plan of ’s-Hertogenbosch shows that the city was laid out along three main streets radiating from the Marct veldt (market square): the Hinthamerstraat running east past St John’s, the Vughterstraat leading south, and the Orthenstraat heading north. The latter was later cut off by the citadel. To the west there was no direct road, but a city gate (no. 46, the St John’s Gate) gave access via the “Wech van Deuteren en Vlymen” along the “Newly Dug Canal.” On the reverse of the map Joan Blaeu described ’s-Hertogenbosch (in 1652): The desire for glory and honour, Blaeu writes, has always inspired men to great deeds—and to the founding of cities that would carry their names. Just as Alexander the Great gave his name to many cities, so ’s-Hertogenbosch derived hers from a duke, probably Godfrey III of Lorraine, who began building it in 1084. His son Henry strengthened the settlement with a moat and expanded it further. The city was originally circular and had three gates named after Leuven, Brussels, and Antwerp. Over the centuries ’s-Hertogenbosch underwent several enlargements—in 1318, 1453, and again in the early 16th century. It acquired brick walls, bastions, and deep moats fed by the rivers Dommel and Aa. Around 1550 it had seven city gates, later reduced to five: the Vughterpoort (to Antwerp), Orthenpoort (to Zaltbommel), Hinthamerpoort (to Grave), St John’s Gate (to Heusden), and St Anthony’s Gate (to Helmond and Eindhoven). Spanning the moats were dozens of bridges—according to Blaeu, 51 of stone and 38 of wood—and the city’s circumference was so large that it took a brisk walker an hour and a half to circle it. At the city’s heart stood the great St John’s Cathedral, elevated to episcopal status in 1559. Blaeu calls it “impressive and magnificent,” adorned with a costly clock. He describes the inhabitants as brave, martial, and industrious, retaining something of the sturdy character of the old Brabanders. At the same time, he praises their civility, diligence, and craftsmanship, noting the presence of many talented artists and artisans. ’s-Hertogenbosch lay in the midst of marshy terrain, surrounded by meadows often flooded—conditions that rendered it virtually impregnable in wartime. To the south, near Vught, where the ground was slightly higher, the Spaniards built three strong forts before the final siege of 1629: St Anthony, Isabella, and the Pettelaarse Schans. The Dutch Republic later further reinforced the city and constructed a new fortress at the end of the Orthenstraat, where the Dieze River enters the town. The municipal government consisted of two schouten (sheriffs) of noble birth—one responsible for civil matters, the other for criminal cases—and a board of schepenen (aldermen) elected annually. Emperor Charles V expanded this board in 1525 from seven to nine members and granted it considerable authority, including over fines and legal disputes. Only native citizens could serve as councillors, and they were required to reside in the city during their term of office. Blaeu calls ’s-Hertogenbosch the capital of the “fourth quarter” of Brabant, which included the regions of the Kempen, Peelland, Maasland, and Oisterwijk, with towns such as Helmond, Eindhoven, Megen, Ravenstein, and Grave. The city, he says, contained more than two thousand fine houses, a spacious market square from which eight streets radiated, and abounded in prosperity and artistic achievement. Finally, Blaeu lists several of its most distinguished sons: Cardinal Willem van Enckevoort, the humanist Georgius Macropedius, the scholar J(o)an van Vladeracken, and the jurists Dirck Nopen, Wilhelm van Veen, Arnout Arlen, and Gosuinus Steganus.
Together, he concludes, they embody the learning, courage, and excellence of a city which, “in strength, beauty, and fame,” scarcely finds its equal in Brabant. Price: Euro 1.450,- - About the artist
Joan Blaeu (1596-1673), was born on the 23rd of September in 1596 in Alkmaar.
He was a Dutch cartographer born in Alkmaar. He followed the footsteps of his father, cartographer Willem Blaeu.
In 1620 he became a doctor of law but he joined the work of his father. In 1635 they published the Atlas Novus (full title: Theatrum orbis terrarum, sive, Atlas novus) in two volumes. Joan and his brother Cornelius took over the studio after their father died in 1638. Joan became the official cartographer of the Dutch East India Company.
Blaeu's world map, Nova et Accuratissima Terrarum Orbis Tabula, incorporating the discoveries of Abel Tasman, was published in 1648. This map was revolutionary in that it "depicts the solar system according to the heliocentric theories of Nicolaus Copernicus, which show the earth revolving around the sun.... Although Copernicus's groundbreaking book On the Revolutions of the Spheres had been first printed in 1543, just over a century earlier, Blaeu was the first mapmaker to incorporate this revolutionary heliocentric theory into a map of the world."
Blaeu's map was copied for the map of the world set into the pavement of the Groote Burger-Zaal of the new Amsterdam Town Hall, designed by the Dutch architect Jacob van Campen (now the Amsterdam Royal Palace), in 1655.
Blaeu's Hollandia Nova was also depicted in his Archipelagus Orientalis sive Asiaticus published in 1659 in the Kurfürsten Atlas (Atlas of the Great Elector). and used by Melchisédech Thévenot to produce his map, Hollandia Nova—Terre Australe (1664).
As "Jean Blaeu", he also published the 12 volume "Le Grand Atlas, ou Cosmographie blaviane, en laquelle est exactement descritte la terre, la mer, et le ciel". One edition is dated 1663. That was folio (540 x 340 mm), and contained 593 engraved maps and plates. In March 2015, a copy was on sale for £750,000.
Around 1649 Joan Blaeu published a collection of Dutch city maps named Toonneel der Steeden (Views of Cities). In 1651 he was voted into the Amsterdam council. In 1654 Joan published the first atlas of Scotland, devised by Timothy Pont. In 1662 he reissued the Atlas Novus, also known as Atlas Maior, in 11 volumes, and one for oceans.
A cosmology was planned as their next project, but a fire destroyed the studio completely in 1672.
Joan Blaeu died in Amsterdam the following year, 1673. He was buried in the Westerkerk at Amsterdam.
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