Riviergezicht by Jan Ouwersloot
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Riviergezicht 1950 - 1975

Jan Ouwersloot

Original oil on canvas
55 ⨯ 70 cm
€ 2.250

Bruning Heintz Fine Art

  • About the artwork
    Grootte 70 x 55 cm
    Signatuur Gesigneerd
    Materiaal Olieverf op doek
    Stroming Naïef realisme
    Provenance Particuliere collectie Nederland

    Prettig zicht op een rivier (de Amstel ?) met zeilbootjes en aan de kant een bankje waar een stelletje op zit te genieten. Realistisch geschilderd ergens halverwege de vorige eeuw door Jan Ouwersloot. Het lijkt een normaal schilderij maar toch voelt het op een of andere manier vreemd aan. Zoals dat vaker het geval is bij Jan Ouwersloot die bekendstaat om zijn naïef realistische manier van schilderen.
  • About the artist

    Jan Ouwersloot (Gouda, 27 October 1902 – Amsterdam, 27 May 1975) was a Dutch self-taught painter, watercolourist, draftsman, pen artist, pastellist, etcher and lithographer. He is known for his realistic and naive-realistic depictions of cityscapes, street scenes, harbours and landscapes, often inspired by his immediate surroundings.

    Ouwersloot is considered to belong to the movement of the 'Populists', a group of artists who were active in Utrecht and Amsterdam in the 1930s. This group, which included Louis Schrikkel, Jan Strube and Johan van Hell, aimed to capture everyday subjects in an accessible way in order to appeal to a wide audience.

    From 1927 to 1964 Ouwersloot was a member of the Amsterdam artists' association 'De Onafhankelijken'. Within this association he exhibited regularly and contributed to the artistic dialogue of that time. His work has been exhibited in the Stedelijk Museum Amsterdam, among others.

    Ouwersloot's paintings are characterized by a naive-realistic style, in which he often created topographical fantasy representations. For example, he playfully combined various sights from the Amsterdam streetscape in one composition. Despite his contributions to Dutch art, Ouwersloot was somewhat forgotten after his death. Recently, there has been renewed interest in his work, among other things through exhibitions in Museum MORE.

    His oeuvre covers a wide range of subjects, from cityscapes and landscapes to harbors and street scenes. His works often radiate a nostalgic atmosphere and offer a unique perspective on everyday life in the Netherlands during the first half of the 20th century.

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