Romantic Victorian Diamond Garland – A Choker of Ceremony and Sentiment 1860
Unknown artist
Adin Fine Antique Jewellery
- About the artwork
An exceptional Romantic Victorian choker, ca. 1860, featuring over 13 carats of natural diamonds in a lyrical composition of open scrolls and articulated drops. What sets this jewel apart is its remarkable use of old brilliant cuts throughout—eschewingthe more common rose cuts, even for the tiniest stones. Once convertible into a tiara, the necklace’s regal poise and delicate detailing evoke candlelit evenings and whispered conversation. Impressive yet finely wrought, this piece bridges statelygrandeur with sentimental elegance, offering a rare chance to wear history at the neckline.
Antique jewelry object group
necklace (choker, formerly convertible tiara)
Condition
very good condition
more info on our condition scale
Country of origin
unknown
Style
Romantic Victorian — Rich in sentimental motifs and lyrical curves, this necklace embodies the spirit of mid-19th century design, when jewels often reflected ideals of devotion, romance and natural beauty.
See also: Victorian
more info on styles
Style specifics
This necklace dates from the Romantic period of the Victorian era (ca. 1837–1860), when jewels often spoke in the language of sentiment. Designs drew on Gothic and Renaissance influences, favouring natural curves and symbolic motifs. Jewellery from thisperiod often celebrated themes of love and fidelity, while making refined use of gold and gems in delicate, expressive compositions.
Period
Circa 1860 — Romantic Victorian
Events & facts of this era, poetry of this era, fashion of this era.
Source of inspiration
Likely inspired by Romantic-era court jewels, combining botanical scrollwork with the silhouette of ceremonial tiaras.
Theme
Garlanded splendour in the Romantic style
Material 9K
pink gold and silver (touchstone tested).
A typical 19th-century combination, where silver was often used to enhance the brilliance of diamonds while gold formed the structural base.
more info on precious metals
Technique
Originally designed to be worn as both a choker and a tiara. While the original frame is no longer present, its construction suggests it could be remade if desired.
Extra information
Unusually, even the tiniest stones in this necklace are brilliant-cut rather than rose-cut — a rare feature in pieces of this age and style.
Diamonds
One old brilliant cut diamond with an estimated weight of ± 1.75ct colour and clarity H/J, vvs/vs
Three old mine brilliant cut diamonds with an estimated weight of ± 2.15ct colour and clarity H/J, vvs/vs
33 old mine brilliant cut diamonds with an estimated weight of ± 4.15ct
191 single brilliant cut diamonds (also called 8/8)with an estimated weight of ± 4.93ct
Total diamond count
228 pcs.
Total diamond weight
approx. 13.03 crt with an average colour and clarity F/I, vs/si
- All stated weights and grades are approximate. All diamonds have been verified as 100% natural by the IJGC laboratory. We do not sell synthetic diamonds.
Birthstones
Diamond is the birthstone (or month stone) for April.
more info on birthstones
Hallmarks
No trace.
more info on hallmarks
Dimensions
Total length: 40.50 cm (15.94 in); centrepiece depth: 5.00 cm (1.97 in)
see picture with a ruler in millimeters and inches
Weight
37,10 gram (23,86 dwt)
Adin Reference Nº
25146-0152
Copyright photography
Adin, fine antique jewellery
Additional information
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- About the artist
It might happen that an artist or maker is unknown.
Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.
As well you can find the following description:
•“Attributed to ….” In their opinion probably a work by the artist, at least in part
•“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision
•“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil
•“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary
•“Manner of ….” In their opinion a work in the style of the artist but of a later date
•“After ….” In their opinion a copy (of any date) of a work of the artist
•“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt
•"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist
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