A Brazilian rosewood and mahogany roomdivider – KP Møbler, Denmark 1960

Kurt Østervig

LegnaPalissandroMogano
180 ⨯ 104 ⨯ 40 cm
ConditionVery good
Prezzo su richiesta

Van Kerkhoff Art

• A proposito di opere d'arte
  A rare Brazilian Rosewood veneered and solid mahogany freestanding bookcase or roomdivider. Designed by the Danish designer Kurt Østervig and executed by the cabinetmaker KP Møbler circa 1960.
  
  This room divider, designed by Kurt Østervig around 1960 and executed by KP Møbler, is crafted in Brazilian rosewood veneer with solid mahogany supports. The open, vertical structure combines adjustable shelving with gently tapered legs, giving the piece a light yet architectural presence. Østervig’s focus on proportion and material is evident in the restrained detailing and balanced construction. While this model was more commonly produced in teak or beech, examples in Brazilian rosewood are comparatively rare and especially valued for their depth of color and refined grain.
  
  About Kurt Østervig
  Kurt Østervig (Odense, Denmark 1912 – Odense, Denmark 1986) was a Danish designer whose work represents a calm, well-balanced interpretation of mid-century Scandinavian modernism. Best known for his furniture designs from the 1950s and 1960s, Østervig combined practical construction with a clear sense of proportion, producing pieces that were understated, functional, and well suited to everyday use.
  
  Østervig trained as a shipbuilder before turning to furniture design, a background that informed his understanding of structure and materials. This technical foundation is evident in his work, which emphasizes stability, clarity, and sound construction rather than visual novelty. Unlike some of his contemporaries, Østervig did not pursue a strongly personal or expressive style; instead, his designs are marked by balance and restraint.
  
  During the postwar years, Østervig collaborated with several Danish manufacturers, most notably KP Møbler and Sibast Furniture. These partnerships allowed his designs to reach a wider audience while maintaining a high standard of craftsmanship. His furniture often features solid teak or oak, sometimes combined with cane or upholstery, chosen for durability and warmth. Forms are generally soft but controlled, with gently curved elements integrated into otherwise straightforward structures.
  
  Østervig’s chairs and seating designs are among his most recognized works. They are typically comfortable and well-proportioned, with an emphasis on ergonomic considerations rather than sculptural statement. Armrests, legs, and backrests are shaped with care, but always within a measured visual language. This approach reflects the broader Danish design ethos of the period, in which furniture was intended to serve daily life while maintaining a quiet aesthetic presence.
  
  While Østervig’s work does not seek historical references in the same way as designers such as Ole Wanscher, it similarly avoids decorative excess. Details are modest and purposeful, often revealed only through close inspection. Joinery is clean and logical, and surfaces are treated to highlight the natural character of the wood rather than to draw attention to the designer’s hand.
  
  Østervig’s designs were widely used in domestic interiors as well as in public and commercial settings, where durability and comfort were essential. His furniture fit easily into modern interiors, contributing to the international appeal of Danish design during the mid-20th century.
  Today, Kurt Østervig is regarded as a solid and reliable figure within Danish modern furniture design. While his name may be less prominent than some of his contemporaries, his work remains appreciated for its consistency, practicality, and quiet elegance. His furniture continues to be collected and used, valued for its straightforward design and enduring functionality rather than for stylistic statement.
  
  Execution
  KP Møbler, Denmark
  Labeled
  
  Condition
  This roomdivider is in very good vintage condition.
  
  Dimensions
  Height 180 cm
  Width 104 cm
  Depth 40 cm
  
  Cites
  A Cites permit within the European Union is included.
• A proposito di opere artista

  Kurt Østervig (1912–1986) è stato un designer di mobili danese, il cui lavoro occupa un posto di rilievo nel design moderno scandinavo di metà secolo. Noto per la sua raffinata artigianalità, la chiarezza architettonica e la scelta di materiali caldi, Østervig creò mobili che combinavano rigore funzionale con un'eleganza sobria.

  Formatosi inizialmente come costruttore navale a Odense, sull'isola di Fionia, Kurt Østervig sviluppò una solida conoscenza tecnica della costruzione e dei materiali. A differenza di molti contemporanei che abbracciavano l'acciaio, Østervig sentiva una profonda affinità con il legno, un'inclinazione che lo portò a lavorare come designer di mobili presso lo Studio di E. Knudsen, uno degli studi di design più importanti dell'epoca. Questo background pose le basi per la sua attenzione, che durò tutta la vita, al legno come materiale sia strutturale che espressivo.

  Nel 1947, Østervig fondò il proprio studio di design e iniziò a collaborare con diversi dei principali produttori di mobili scandinavi. Amava particolarmente il rovere, che spesso abbinava alla pelle per creare mobili robusti ma raffinati. I suoi progetti non si limitavano agli interni domestici; realizzava anche mobili su misura per navi, hotel, cinema e case di cura, dimostrando una forte sensibilità per il contesto, la durevolezza e l'uso umano.

  I mobili di Kurt Østervig sono caratterizzati da linee pulite, proporzioni equilibrate e una discreta sicurezza. Tra le sue opere più note degli anni '50 figurano un divano letto dallo stile semplice ma elegante e un sistema di scaffalature autoportanti con bar incorporato, pezzi che esemplificano la sua capacità di fondere praticità e presenza scultorea. Il suo approccio distintivo attirò l'attenzione internazionale, culminando in mostre delle sue opere in istituzioni come il Museum of Modern Art di New York.

  Oggi, Kurt Østervig è considerato una figura importante del design danese del XX secolo. I suoi mobili sono ancora molto ricercati dai collezionisti e apprezzati per la loro estetica senza tempo, i materiali pregiati e la perfetta integrazione tra artigianalità e principi modernisti.

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