ROBERT MANGOLD, A BOOK OF SILK SCREEN PRINTS: MULTIPLE PANEL PAINTINGS, SERIES C, 1992 by Robert Mangold
ROBERT MANGOLD, A BOOK OF SILK SCREEN PRINTS: MULTIPLE PANEL PAINTINGS, SERIES C, 1992 by Robert Mangold
ROBERT MANGOLD, A BOOK OF SILK SCREEN PRINTS: MULTIPLE PANEL PAINTINGS, SERIES C, 1992 by Robert Mangold
ROBERT MANGOLD, A BOOK OF SILK SCREEN PRINTS: MULTIPLE PANEL PAINTINGS, SERIES C, 1992 by Robert Mangold
ROBERT MANGOLD, A BOOK OF SILK SCREEN PRINTS: MULTIPLE PANEL PAINTINGS, SERIES C, 1992 by Robert Mangold
ROBERT MANGOLD, A BOOK OF SILK SCREEN PRINTS: MULTIPLE PANEL PAINTINGS, SERIES C, 1992 by Robert Mangold

ROBERT MANGOLD, A BOOK OF SILK SCREEN PRINTS: MULTIPLE PANEL PAINTINGS, SERIES C, 1992 1970 - 1999

Robert Mangold

Impressão a coresImprimir
31 ⨯ 61 ⨯ 1 cm
ConditionMint
€ 1.250

The Millen House

  • Sobre arte
    Few artists have explored the relationship between line, shape and space as rigorously as Robert Mangold. Associated with the generation of American Minimalist and Post-Minimalist artists that emerged in the 1960s and 1970s, Mangold developed a visual language in which geometry becomes both subject and structure.
    This 1972 silkscreen exemplifies the clarity and precision for which the artist is renowned. A muted ochre triangle occupies the centre of the composition, its form subtly articulated by a network of fine linear divisions. While the geometric structure appears rational and systematic, closer inspection reveals delicate shifts in proportion, balance and spatial perception. The drawing-like lines activate the shape from within, creating a quiet tension between the flatness of the surface and the illusion of depth.
    Mangold's work is distinguished by its ability to transform simple geometric forms into meditative visual experiences. Rather than imposing meaning, he invites sustained looking. The restrained palette, measured composition and architectural sense of order encourage viewers to become aware of subtle relationships between form, edge, proportion and space.
    Created during a pivotal period in Mangold's career, this print reflects the concerns that would define his oeuvre for decades: the exploration of geometry not as a fixed system, but as a means of questioning how we perceive and navigate space.
  • Sobre artista

    Robert Mangold (nascido em 1937) é um aclamado pintor e gravador norte-americano, reconhecido internacionalmente como uma das principais figuras do minimalismo e da arte abstrata do pós-guerra. Ao lado de contemporâneos como Robert Ryman, Sol LeWitt e Agnes Martin, Mangold redefiniu a linguagem da pintura, reduzindo-a aos seus elementos essenciais de forma, linha, cor e superfície.

    Desde a década de 1960, as suas distintas composições geométricas exploram a relação entre forma e perceção, apresentando frequentemente telas curvas ou de forma irregular delineadas com delicadas linhas de grafite e campos de cores luminosas e suaves. Em vez de retratar o mundo visível, as pinturas de Mangold convidam à contemplação tranquila, equilibrando a precisão com a tensão visual subtil e um profundo sentido de harmonia.

    Ao longo de uma carreira de mais de seis décadas, Mangold expôs extensivamente nos principais museus e galerias do mundo, incluindo o Museu de Arte Moderna (MoMA) de Nova Iorque, o Museu Solomon R. Guggenheim e o Museu Whitney de Arte Americana. As suas obras encontram-se nas coleções permanentes de muitas das principais instituições do mundo, garantindo a sua reputação como um dos pintores abstratos mais influentes dos séculos XX e XXI.

Você está interessado em comprar esta obra de arte?