Camée victorien en pierre dure en monture or avec demi-perles rocaille émail noir 1870
Artiste Inconnu
Adin Fine Antique Jewellery
- Sur l'oeuvre d'art
Antique jewelry object group: brooch
Condition: very good condition
- (more info on our condition scale)
Country of origin: France
Style: Victorian - Victorian decorative arts refers to the style of decorative arts during the Victorian era. The Victorian era is known for its eclectic revival and interpretation of historic styles and the introduction of cross-cultural influences from themiddle east and Asia in furniture, fittings, and Interior decoration. Victorian design is widely viewed as having indulged in a regrettable excess of ornament. The Arts and Crafts movement, the aesthetic movement, Anglo-Japanese style, and Art Nouveaustyle have their beginnings in the late Victorian era.
- See also: Victorianor more info on styles
Style specifics: The Grand Victorian Period - Experts divide the reign of Queen Victoria, also called The Victorian era (1837 - 1901) into three periods of about twenty years each; The Romantic Victorian Period (1837 - 1860), The Grand Victorian Period (1860 - 1880),and the Late or Aesthetic Victorian Period (1880 - 1901).
We consider this to be of the Grand Victorian Period.
This second Victorian period is famous for its ostentatious pieces set with pearls and diamonds (from South Africa). From ca. 1850 wealthy English had reported about jewelry from India and Japan, which heavily inspired the jewelers of this period. Thisperiod also corresponds with the death of Queen Victoria's husband King Albert making mourning jewelry (set with heavy dark stones) the type of jewelry specific for this period.
Period: ca. 1870
- (events & facts of this era, poetry of this era, fashion of this era)
Theme: lady
Material: 18K yellow gold
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Technique (01): Cameo is a method of carving, or an item of jewellery or vessel made in this manner. It features a raised (positive) relief image. There are three main materials for Cameo carving; Shells or Agate (called a Hardstone cameo), and glass. Cameos can beproduced by setting a carved relief, such as a portrait, onto a background of a contrasting colour. This is called an assembled cameo. Alternately, a cameo can be carved directly out of a material with integral layers or banding, such as (banded) agateor layered glass, where different layers have different colours. Sometimes dyes are used to enhance these colours. Cameos are often worn as jewellery. Stone cameos of great artistry were made in Greece dating back as far as the 6th century BC. They werevery popular in Ancient Rome, and one of the most famous stone cameos from this period is the Gemma Claudia made for the Emperor Claudius. The technique has since enjoyed periodic revivals, notably in the early Renaissance, and again in the 17th, 18thand 19th centuries.
Technique (02): Enamelling is an old and widely-adopted technology. The ancient Egyptians applied enamels to pottery and stone objects. The ancient Greeks, Celts, Russians, and Chinese also used enameling processes on metal objects. Enamel is the colorful result offusing powdered glass to a substrate by firing, usually between 750 and 850 degrees Celsius. The powder melts and flows and hardens to a smooth, durable vitreous coating on metal, glass or ceramic. According to some sources, the word enamel comes fromthe High German word smelzan (to smelt) via the Old French esmail. Used as a noun, "an enamel" is a usually small decorative object, coated with enamel coating, such as a champlevé or a cloisonné (different techniques).
Precious stones: One hardstone cameo
22lustrous real orient half seed pearls
Birthstones: Pearl is the birthstone (or month stone) for June.
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Hallmarks: The French control mark for 18K gold representing an eagle's head that was in use in France from about 1838.
- (more info on hallmarks)
Dimensions: 4,45 cm (1,75 inch) x 5,30 cm (2,09 inch)
Weight: 33,50 gram (21,54 dwt)
Reference Nº: 19176-0039
Copyright photography: Adin, fine antique jewelry
- Sur l'artiste
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Certaines œuvres ne doivent pas être déterminées par qui elles sont faites ou elles sont faites par (un groupe d') artisans. Les exemples sont des statues de l'Antiquité, des meubles, des miroirs ou des signatures qui ne sont pas claires ou lisibles, mais aussi certaines œuvres ne sont pas signées du tout.
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