A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea

A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 1958 - 1959

Saara Hopea

Bicchiere
5 cm, ø 13 cm
ConditionVery good
€ 1.100

Van Kerkhoff Art

  • A proposito di opere d'arte
    Two mold-blown, clear, dark-blue and moss-green cased glass Art-objects / bowls, model SH 117. Designed by Saara Hopea in 1956 and executed by Nuutajärvi-Notsjö in 1958 & 1959.

    An optical effect makes it appear as if the colour goes to the outer edges but the encasing is only in the interior.

    These objects were made between 1956 and 1967 in two sizes 9,5 cm and 13,5 cm in diameter, and in several colours (blue, green, yellow, purple and red) this being a complete set in green and blue. Both are early production examples.

    They are marked and dated in diamond pen underneath the base.
    Two mold-blown, clear, dark-blue and moss-green cased glass Art-objects / bowls, model SH 117. Designed by Saara Hopea in 1956 and executed by Nuutajärvi-Notsjö in 1958 & 1959.

    An optical effect makes it appear as if the colour goes to the outer edges but the encasing is only in the interior.

    These objects were made between 1956 and 1967 in two sizes 9,5 cm and 13,5 cm in diameter, and in several colours (blue, green, yellow, purple and red) this being a complete set in green and blue. Both are early production examples.

    They are marked and dated in diamond pen underneath the base.


    About Saara Hopea
    Saara Elisabet Hopea (Porvoo 1925 – Porvoo 1984) was a Finnish designer of Art-glass, furniture and jewellery.

    Saara Hopea was born in 1925 in Porvoo, in the south of Finland. Her parents Ossian Hopea and Lempi Westerlund owned a goldsmithing company.

    After attending secondary school, Hopea studied at the Interior Design Department of the Central School of Art and Design, now the Aalto University of Art and Design.

    She graduated in 1946, and worked for a few years as an illustrator, then she accepted a job at the lighting factory of Taito Oy, headed by the renowned designer Paavo Tynell.

    In the early 1950’s, Saara Hopea became interested in glass design and started working at the Nuutajärvi glass factory, where she worked under artistic director Kaj Franck.

    After her father’s death, Saara Hopea took over the direction of the family business Ossian Hopea Oy in 1959. She worked as the artistic director from 1959 to 1960 and again from 1967 and was responsible for numerous jewellery designs.

    In 1960 Saara Hopea married Oppi Untracht , an American goldsmith, photographer and writer, and they moved to New York City. Together with her husband, Saara Hopea also lived in Nepal and in India over the years until 1967, after which the couple settled permanently in Porvoo.

    For her glass designs, Saara Hopea received a silver medal at the Milan Triennials in both 1954 and 1957. She also received the Porvoo City Culture Prize in 1981 and the State Arts and Crafts Prize in 1982.

    Her retrospective exhibition was held at the Museum of Arts and Crafts in Helsinki in 1987. 28 of her works are in the collection of The British Museum in London and the MoMa in New York holds 11 of her works.




    About Saara Hopea
    Saara Elisabet Hopea (Porvoo 1925 – Porvoo 1984) was a Finnish designer of Art-glass, furniture and jewellery.

    Saara Hopea was born in 1925 in Porvoo, in the south of Finland. Her parents Ossian Hopea and Lempi Westerlund owned a goldsmithing company.

    After attending secondary school, Hopea studied at the Interior Design Department of the Central School of Art and Design, now the Aalto University of Art and Design.

    She graduated in 1946, and worked for a few years as an illustrator, then she accepted a job at the lighting factory of Taito Oy, headed by the renowned designer Paavo Tynell.

    In the early 1950’s, Saara Hopea became interested in glass design and started working at the Nuutajärvi glass factory, where she worked under artistic director Kaj Franck.

    After her father’s death, Saara Hopea took over the direction of the family business Ossian Hopea Oy in 1959. She worked as the artistic director from 1959 to 1960 and again from 1967 and was responsible for numerous jewellery designs.

    In 1960 Saara Hopea married Oppi Untracht , an American goldsmith, photographer and writer, and they moved to New York City. Together with her husband, Saara Hopea also lived in Nepal and in India over the years until 1967, after which the couple settled permanently in Porvoo.

    For her glass designs, Saara Hopea received a silver medal at the Milan Triennials in both 1954 and 1957. She also received the Porvoo City Culture Prize in 1981 and the State Arts and Crafts Prize in 1982.

    Her retrospective exhibition was held at the Museum of Arts and Crafts in Helsinki in 1987. 28 of her works are in the collection of The British Museum in London and the MoMa in New York holds 11 of her works.


    Marked
    Marked in diamondpen underneath the base: S. Hopea Nuutajärvi-Notsjö '59 (1959) & '58 (1958)

    Execution
    Nuutajärvi-Notsjö glassworks, Finland 1958 & 1959

    Condition
    These Art-objects are in good vintage condition. Some scratches on the side and several deeper scratches underneath the base. Basic wear consistent with age and use. No chips or cracks.

    Literature
    Oppi Untracht – Saara Hopea-Untracht: her life and work.

    Dimensions
    Height 5,16 & 4,42 cm
    Diameter 13,56 & 10,6 cm
    Weight 1443 & 775 grams
  • A proposito di opere artista

    Saara Hopea ha avuto una prolifica carriera in vari campi del design, lasciando un segno significativo nel panorama artistico finlandese degli anni '50. Il suo viaggio è iniziato nel regno del design di mobili, dove ha affinato le sue capacità dal 1946 al 1948. Alla ricerca di nuove opportunità, ha poi unito le forze con l'azienda del famoso fabbro Paavo Tynell, dove ha lavorato fino al 1952.

    Durante questo periodo, ha contribuito alla vetreria Nuutajärvi, dove le sue creazioni sono diventate una brillante incarnazione dell'estetica minimalista che ha definito lo stile finlandese negli anni '50, influenzato dai principi della filosofia del design Bauhaus. In particolare, dopo la morte del padre nel 1948, ha assunto l'incarico di progettare l'argenteria per il suo negozio a Porvoo.

    Un punto di svolta nella vita di Hopea si è verificato quando si è sposata e si è trasferita a New York con suo marito. Fu qui che iniziò un nuovo percorso artistico, esplorando il regno della lavorazione dello smalto. Attraverso la sua sperimentazione con smalti trasparenti a cottura eccessiva su rame, ha ottenuto risultati notevoli che hanno conferito ai suoi pezzi un aspetto spontaneo e pittorico, caratterizzato da colori vibranti e notevole profondità. Le sue squisite creazioni smaltate sono finite nelle mani di mecenati esigenti attraverso negozi esclusivi.

    La sete di conoscenza e l'ispirazione artistica della coppia li ha portati a intraprendere un viaggio straordinario attraverso il Nepal e l'India, durato quattro anni. Durante questo periodo, si sono immersi nello studio, nella fotografia e nella raccolta di oggetti in metallo e gioielli locali. Nel 1997, suo marito, profondamente influenzato dalle loro esperienze, ha pubblicato "Traditional Jewelry of India", una testimonianza della loro esplorazione e apprezzamento del ricco patrimonio artistico della regione. Nel 1967 tornarono a Porvoo, dove gli sforzi artistici di Hopea comprendevano un'ampia gamma di discipline, tra cui l'oreficeria, il design tessile e la smaltatura.

    L'impatto del talento e dell'arte di Saara Hopea si estende oltre i confini della Finlandia. Il British Museum vanta una collezione di 28 delle sue opere, mentre il Museum of Modern Art custodisce 11 oggetti preziosi, testimonianza della sua eredità duratura. Nel 1988, suo marito ha pubblicato un resoconto completo della sua vita e del suo lavoro intitolato "Saara Hopea-Untracht: vita e lavoro", facendo luce sullo straordinario viaggio artistico di questa tranquilla visionaria scandinava.

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