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50 stuiver noodmunt stad Groningen by Unknown artist
50 stuiver noodmunt stad Groningen by Unknown artist
50 stuiver noodmunt stad Groningen by Unknown artist
50 stuiver noodmunt stad Groningen by Unknown artist

50 stuiver noodmunt stad Groningen 1672

Unknown artist

Silver
€ 1.250

Jongeling Numismatics & Ancient Art

  • About the artwork
    Obverse: . IVRE . – . ET . TEMPORE . – . 1672 ., crowned provincial coat of arms between split value
    Reverse: blank

    RARE

    LARGE DIE

    In 1672 Groningen was besieged by the Prince-Bishop of Münster, Bernhard van Galen. He believed that he could lay claim to the areas in and around Groningen, because these had once belonged to his diocese. The young Dutch Republic was attacked from all sides in 1672 and so he saw his chance to attack the relatively unprotected north.
    The bishop’s troops laid siege to Groningen on 21 July. The decisive factor for the eventual withdrawal was that his ally, the Elector of Cologne, had suffered a defeat at the wierde Nienhuis and his own troops had been repulsed at Noordhorn, endangering his back cover. In addition, the bishop had failed to block the supply to the city. He approached from the south, but the city remained accessible from the north. On August 28, von Galen was forced to retreat with only half of his army remaining.

    Weight: 28.97 g
    Diameter: 48.5 mm
    Grade: About extremely fine
    Reference: Delm. 736 (R); CNM 2.20.1
  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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