Old citymap of 's-Hertogenbosch 1652
Joan Blaeu
Papier
42 ⨯ 53 cm
€ 1.450
Inter-Antiquariaat Mefferdt & De Jonge
- Over kunstwerk“Sylva Ducis Gallis vulgo Bois le Duc; vernacule ’s Hartogen Bossche” [Sylva Ducis, in French commonly called Bois-le-Duc; in the vernacular: ’s-Hertogenbosch.] Copper engraving published by Joan Blaeu in 1652 as part of his town book Tooneel der Steden. Coloured by a later hand. Size approx. 42.5 × 53 cm. The Duke of Brabant founded ’s-Hertogenbosch at the end of the twelfth century as the north-easternmost defensive outpost of his duchy. Because it lay near the “three-borders point” of Brabant, Guelders, and Holland, ’s-Hertogenbosch held great military importance for centuries. The city was provided with powerful fortifications and was almost impossible to conquer. During the Eighty Years’ War the Dutch States forces tried no fewer than six times—unsuccessfully—to capture it (in 1585, 1591, 1594, 1601, 1603, and 1622). The opposing side spent vast sums on improving and extending the fortifications. In 1629 Prince Frederick Henry besieged the supposedly impregnable city with 30,000 men; after three months it was forced to capitulate. Following the conquest, a massive citadel (or fortress) was built on the north side of the city. On the map (lower left) one can clearly see that the fortress commanded an open field of fire toward the city; the houses along the Orthenweg (“Casteels Pleyn”) were demolished for this purpose. The plan of ’s-Hertogenbosch shows that the city was laid out along three main streets radiating from the Marct veldt (market square): the Hinthamerstraat running east past St John’s, the Vughterstraat leading south, and the Orthenstraat heading north. The latter was later cut off by the citadel. To the west there was no direct road, but a city gate (no. 46, the St John’s Gate) gave access via the “Wech van Deuteren en Vlymen” along the “Newly Dug Canal.” On the reverse of the map Joan Blaeu described ’s-Hertogenbosch (in 1652): The desire for glory and honour, Blaeu writes, has always inspired men to great deeds—and to the founding of cities that would carry their names. Just as Alexander the Great gave his name to many cities, so ’s-Hertogenbosch derived hers from a duke, probably Godfrey III of Lorraine, who began building it in 1084. His son Henry strengthened the settlement with a moat and expanded it further. The city was originally circular and had three gates named after Leuven, Brussels, and Antwerp. Over the centuries ’s-Hertogenbosch underwent several enlargements—in 1318, 1453, and again in the early 16th century. It acquired brick walls, bastions, and deep moats fed by the rivers Dommel and Aa. Around 1550 it had seven city gates, later reduced to five: the Vughterpoort (to Antwerp), Orthenpoort (to Zaltbommel), Hinthamerpoort (to Grave), St John’s Gate (to Heusden), and St Anthony’s Gate (to Helmond and Eindhoven). Spanning the moats were dozens of bridges—according to Blaeu, 51 of stone and 38 of wood—and the city’s circumference was so large that it took a brisk walker an hour and a half to circle it. At the city’s heart stood the great St John’s Cathedral, elevated to episcopal status in 1559. Blaeu calls it “impressive and magnificent,” adorned with a costly clock. He describes the inhabitants as brave, martial, and industrious, retaining something of the sturdy character of the old Brabanders. At the same time, he praises their civility, diligence, and craftsmanship, noting the presence of many talented artists and artisans. ’s-Hertogenbosch lay in the midst of marshy terrain, surrounded by meadows often flooded—conditions that rendered it virtually impregnable in wartime. To the south, near Vught, where the ground was slightly higher, the Spaniards built three strong forts before the final siege of 1629: St Anthony, Isabella, and the Pettelaarse Schans. The Dutch Republic later further reinforced the city and constructed a new fortress at the end of the Orthenstraat, where the Dieze River enters the town. The municipal government consisted of two schouten (sheriffs) of noble birth—one responsible for civil matters, the other for criminal cases—and a board of schepenen (aldermen) elected annually. Emperor Charles V expanded this board in 1525 from seven to nine members and granted it considerable authority, including over fines and legal disputes. Only native citizens could serve as councillors, and they were required to reside in the city during their term of office. Blaeu calls ’s-Hertogenbosch the capital of the “fourth quarter” of Brabant, which included the regions of the Kempen, Peelland, Maasland, and Oisterwijk, with towns such as Helmond, Eindhoven, Megen, Ravenstein, and Grave. The city, he says, contained more than two thousand fine houses, a spacious market square from which eight streets radiated, and abounded in prosperity and artistic achievement. Finally, Blaeu lists several of its most distinguished sons: Cardinal Willem van Enckevoort, the humanist Georgius Macropedius, the scholar J(o)an van Vladeracken, and the jurists Dirck Nopen, Wilhelm van Veen, Arnout Arlen, and Gosuinus Steganus.
Together, he concludes, they embody the learning, courage, and excellence of a city which, “in strength, beauty, and fame,” scarcely finds its equal in Brabant. Price: Euro 1.450,- - Over kunstenaar
Joan Blaeu (1596-1673), werd geboren op 23 september 1596 in Alkmaar.
Hij was een Nederlandse cartograaf geboren in Alkmaar. Hij trad in de voetsporen van zijn vader, cartograaf Willem Blaeu.
In 1620 werd hij doctor in de rechten, maar hij sloot zich aan bij het werk van zijn vader. In 1635 publiceerden zij de Atlas Novus (volledige titel: Theatrum orbis terrarum, sive, Atlas novus) in twee delen. Joan en zijn broer Cornelius namen het atelier over na het overlijden van hun vader in 1638. Joan werd de officiële cartograaf van de Verenigde Oost-Indische Compagnie.
Blaeu's wereldkaart, Nova et Accuratissima Terrarum Orbis Tabula, waarin de ontdekkingen van Abel Tasman zijn verwerkt, werd gepubliceerd in 1648. Deze kaart was revolutionair omdat hij "het zonnestelsel weergeeft volgens de heliocentrische theorieën van Nicolaus Copernicus, die laten zien dat de aarde ronddraait de zon .... Hoewel het baanbrekende boek van Copernicus On the Revolutions of the Spheres voor het eerst werd gedrukt in 1543, iets meer dan een eeuw eerder, was Blaeu de eerste kaartenmaker die deze revolutionaire heliocentrische theorie op een wereldkaart verwerkte.
Blaeu's kaart werd gekopieerd voor de kaart van de wereld in de stoep van de Groote Burger-Zaal van het nieuwe Amsterdamse stadhuis, ontworpen door de Nederlandse architect Jacob van Campen (nu het Koninklijk Paleis Amsterdam), in 1655.
Blaeu's Hollandia Nova werd ook afgebeeld in zijn Archipelagus Orientalis sive Asiaticus, gepubliceerd in 1659 in de Kurfürsten Atlas (Atlas van de Grote Keurvorst). en gebruikt door Melchisédech Thévenot om zijn kaart Hollandia Nova - Terre Australe (1664) te produceren.
Als "Jean Blaeu" publiceerde hij ook het 12e deel "Le Grand Atlas, ou Cosmographie blaviane, en laquelle est exactement descritte la terre, la mer, et le ciel". Eén uitgave dateert uit 1663. Dat was folio (540 x 340 mm) en bevatte 593 gegraveerde kaarten en platen. In maart 2015 was een exemplaar te koop voor £ 750.000.
Rond 1649 publiceerde Joan Blaeu een verzameling Nederlandse stadsplattegronden genaamd Toonneel der Steeden. In 1651 werd hij in de Amsterdamse gemeenteraad gestemd. In 1654 publiceerde Joan de eerste atlas van Schotland, bedacht door Timothy Pont. In 1662 bracht hij de Atlas Novus, ook wel bekend als Atlas Maior, opnieuw uit in 11 delen en één voor oceanen.
Een kosmologie was gepland als hun volgende project, maar een brand verwoestte de studio volledig in 1672.
Joan Blaeu stierf in Amsterdam het volgende jaar, 1673. Hij werd begraven in de Westerkerk in Amsterdam.
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