Architectural Fifties Bracelet Ablaze with Diamonds in a Bold Sculptural Design by Artista Desconhecido
Architectural Fifties Bracelet Ablaze with Diamonds in a Bold Sculptural Design by Artista Desconhecido
Architectural Fifties Bracelet Ablaze with Diamonds in a Bold Sculptural Design by Artista Desconhecido
Architectural Fifties Bracelet Ablaze with Diamonds in a Bold Sculptural Design by Artista Desconhecido
Architectural Fifties Bracelet Ablaze with Diamonds in a Bold Sculptural Design by Artista Desconhecido
Architectural Fifties Bracelet Ablaze with Diamonds in a Bold Sculptural Design by Artista Desconhecido
Architectural Fifties Bracelet Ablaze with Diamonds in a Bold Sculptural Design by Artista Desconhecido
Architectural Fifties Bracelet Ablaze with Diamonds in a Bold Sculptural Design by Artista Desconhecido
Architectural Fifties Bracelet Ablaze with Diamonds in a Bold Sculptural Design by Artista Desconhecido
Architectural Fifties Bracelet Ablaze with Diamonds in a Bold Sculptural Design by Artista Desconhecido
Architectural Fifties Bracelet Ablaze with Diamonds in a Bold Sculptural Design by Artista Desconhecido
Architectural Fifties Bracelet Ablaze with Diamonds in a Bold Sculptural Design by Artista Desconhecido
Architectural Fifties Bracelet Ablaze with Diamonds in a Bold Sculptural Design by Artista Desconhecido
Architectural Fifties Bracelet Ablaze with Diamonds in a Bold Sculptural Design by Artista Desconhecido

Architectural Fifties Bracelet Ablaze with Diamonds in a Bold Sculptural Design 1950

Artista Desconhecido

DiamanteGemstone
€ 65.000

Adin Fine Antique Jewellery

  • Sobre arte

    This platinum bracelet from the early 1950s is a substantial example of mid-century diamond craftsmanship. Its broad, articulated construction allows the piece to fall naturally on the wrist, while more than fifty-four carats of diamonds in high colourand clarity create a striking, deliberate brilliance. The assured design and well-resolved structure reflect the period’s renewed appetite for luxury, achieved through discipline and technical competence rather than excess.

    The lady who brought the bracelet to us explained that she had inherited it from her mother. Her father, a prominent Antwerp diamond merchant, selected the stones from his own stock, choosing only those he considered his finest. He then engaged ahigh-quality atelier to create the design and commissioned the bracelet as a personal gift for his wife. She described this provenance as part of her family history, and our own examination of the piece, in both the consistency of the diamond quality and the precision of the construction, aligns closely with her story.

    Seen in this light, the bracelet is both an impressive diamond jewel and a carefully conceived work of craftsmanship. Its scale, coherence and assured construction reflect the expertise and intention that shaped it, and there is a quiet sense of personal devotion in the care with which the stones were chosen and the piece realised. These qualities remain evident in the bracelet itself and become almost tangible once its story is known.

    Jewellery Type
    high-jewellery bracelet

    Condition
    very good condition
    more info on our condition scale

    Country of origin
    Although it does not carry any legible control marks we believe this to be of Belgian origin.

    Additional provenance note
    The bracelet is accompanied by a fitted case signed by the Antwerp jeweller K. Schlüsselberg, Pelikaanstraat 86, suggesting it was retailed there.

    Style
    Vintage Fifties (of the twentieth century)
    See also: Fifties (of the twentieth century)
    more info on styles

    Style specifics
    This type of jewellery is highly characteristic of the 1950s. Although the Art Deco period had ended only two decades earlier, its geometric language remained a strong source of inspiration. The abundant pavé work and sculptural volume, however, clearlyplace this bracelet within the post-war Fifties idiom, which often makes it challenging, even for trained experts, to distinguish it from late Art Deco creations.

    Period
    ca. 1950
    Events & facts of this era:

    • Post-war economic recovery leading to renewed demand for luxury goods.
    • Jewellery houses reintroducing lavish diamond designs after wartime restrictions.
    Poetry of this era:
    • Writers such as Dylan Thomas, T. S. Eliot (late period) and Louis MacNeice shaped the mid-century poetic landscape, reflecting both post-war introspection and emerging optimism.
    Fashion of this era:
    • Dior’s New Look encouraging opulence, sculptural silhouettes and generous accessorising.
    • A natural environment for wide, luxurious diamond bracelets such as this one.

    Source of inspiration
    A sophisticated fusion of lingering Art Deco geometry and the renewed opulence of post-war couture, echoing the radiating motifs and sculptural lines that defined high-end jewellery of the 1950s.

    Theme
    Radiance and symmetry expressed through geometric floral abstraction, capturing the glamour and optimism characteristic of the early post-war decades.

    Material
    platinum (touchstone tested)
    more info on precious metals

    Technique
    The refined execution, articulated construction and sculptural design all attest to first-class craftsmanship, further distinguished by diamonds of consistently high colour and clarity, carefully matched to support the piece’s visual coherence andbrilliance.

    Extra information
    Accompanied by a custom-fitted case by the Antwerp jeweller K. Schlüsselberg, Pelikaanstraat 86, strengthening the likelihood of Belgian manufacture.

    Diamonds
    Three brilliant cut diamondswith an estimated weight of ± 3.05ct
    519 brilliant cut diamondswith an estimated weight of ± 44.38ct
    42 baguette (long rectangular) cut diamondswith an estimated weight of ± 7.20ct

    Total diamond count
    564 pcs.

    Total diamond weight
    approx. 54.63 crt with an average colour and clarity E/G, vvs/vs

    - When we provide weights, colour grades, and clarity of diamonds, these are approximate unless otherwise stated, as we do not remove diamonds from their settings to preserve the integrity of the piece.

    - All diamonds, regardless of their size or shape, in our vintage and antique jewellery are verified as 100% natural by the IJGC laboratory.

    - We do not sell lab-grown (synthetic) diamonds.

    Birthstones
    Diamond is the birthstone (or month stone) for April.
    more info on birthstones

    Brand
    No maker’s mark found on the bracelet itself.

    Signature
    None but accompanied by retailer’s case signed K. Schlüsselberg, Antwerp.

    Hallmarks
    No hallmarks found, which is not unusual for Belgian high-jewellery pieces of the mid-twentieth century, especially when retailed privately or custom-made.
    more info on hallmarks

    Dimensions
    3,75 cm (1,48 inch) x 23,00 cm (9,06 inch)
    see picture with a ruler in millimeters and inches

    Weight
    115,10 gram (74,01 dwt)

    Adin Reference Nº
    25325-0281

    Copyright photography
    Adin, fine antique jewellery

    Additional information
    our latest acquisitions
    jewelry glossary
    wall of fame
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  • Sobre artista

    Pode acontecer que um artista ou criador seja desconhecido.

    Algumas obras não devem ser determinadas por quem são feitas ou são feitas por (um grupo de) artesãos. Exemplos são estátuas dos tempos antigos, móveis, espelhos ou assinaturas que não são claras ou legíveis, mas também algumas obras não são assinadas.

    Além disso, você pode encontrar a seguinte descrição:

    •"Atribuído a …." Na opinião deles, provavelmente uma obra do artista, pelo menos em parte

    • “Estúdio de…” ou “Oficina de” Em sua opinião um trabalho executado no estúdio ou oficina do artista, possivelmente sob sua supervisão

    • "Círculo de ..." Na opinião deles, uma obra da época do artista mostrando sua influência, intimamente associada ao artista, mas não necessariamente seu aluno

    •“Estilo de…” ou “Seguidor de…” Na opinião deles, um trabalho executado no estilo do artista, mas não necessariamente por um aluno; pode ser contemporâneo ou quase contemporâneo

    • "Maneira de ..." Na opinião deles, uma obra no estilo do artista, mas de data posterior

    •"Depois …." Na opinião deles uma cópia (de qualquer data) de uma obra do artista

    • “Assinado…”, “Datado…” ou “Inscrito” Na opinião deles, a obra foi assinada/datada/inscrita pelo artista. A adição de um ponto de interrogação indica um elemento de dúvida

    • "Com assinatura ….”, “Com data ….”, “Com inscrição ….” ou “Tem assinatura/data/inscrição” na opinião deles a assinatura/data/inscrição foi adicionada por outra pessoa que não o artista

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