Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle
Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green by Johann Loetz (Lötz) Witwe Klostermühle

Johann Loetz Witwe – Ausführung 140 – “Controlled air bubbles” in ground color Green 1900 - 1909

Johann Loetz (Lötz) Witwe Klostermühle

Copo
14 cm, ø 12 cm
ConditionExcellent
Preço em pedido

Antiques Emporium

  • Sobre arte
    This masterpiece by Johann Loetz Witwe executed in Ausführung 140 is a true testament to the artistry and innovation of the Jugendstil era.

    Adorned in a captivating ground color of verdant green, this vase exudes a sense of natural splendor that is both captivating and evocative. However, its true beauty lies in the intricate layers of glasswork that adorn its surface, each telling a story of craftsmanship and creativity.

    At its core, the vase boasts an inner layer of titania glass threads, delicately woven to create a mesmerizing interplay of light and texture. These threads dance within the glass, casting enchanting shadows and lending an ethereal quality to the piece. Surrounding them is a layer of controlled air bubbles, suspended in a delicate dance that adds depth and intrigue to the vase’s design.

    Finally, the outer layer of green glass encases this symphony of elements, providing a glossy finish that enhances the vase’s luminous presence. With each glance, new details emerge, inviting admiration and appreciation for the skill and artistry required to create such a masterpiece.

    It’s important to note that while the accompanying pictures offer a glimpse into the vase’s beauty, they cannot fully capture the breathtaking colors and textures of the glass. The subtle nuances and iridescence of the glass can only be fully appreciated in person, adding to the allure and mystique of this remarkable piece.

    Dimensions:
    Height: 145mm / 5.71”
    Diameter top: 65mm / 2.56”
    Diameter body: 120mm / 4.72″

    Literature:
    Prestel – Böhmisch Glas 1880 – 1940 Band 1 Werkmonographie – Page 269.
  • Sobre artista

    A vidraria Loetz existiu em Klostermuhle, Áustria, por pouco mais de cem anos, começando em 1840. Mas seu apogeu foi durante a vida de Max Ritter Von Spaun, neto do original Johann Loetz que fundou a empresa.

    Von Spaun assumiu a empresa em 1879 e a dirigiu até 1908, um ano antes de sua morte. Ele foi auxiliado por Eduard Prochaska, seu especialista técnico, e juntos eles inventaram, projetaram e produziram uma série de novos e maravilhosos tipos de vidro, tirando várias patentes e ganhando prêmios em todas as maiores exposições mundiais durante a década de 1890 e os primeiros anos de o novo século.

    A empresa Loetz estava entre os líderes em design Art Nouveau e especialmente em vidro de arte irridescente. O vidro "Papillon", como o vaso à esquerda, é às vezes conhecido hoje como vidro "manchado de óleo". Outro colorante favorito de Loetz era o vidro irradiado com trilhas puxadas, chamado de vidro "Fenômeno".

    Havia vasos irritados com fitas de cores metálicas enroladas na superfície, e muitos desenhos espetaculares com rastros aplicados de belas cores, ou simplesmente puxados para fora do corpo do vidro para formar alças ou decoração.

    Por volta de 1900, a empresa começou a colaborar com designers externos, e alguns grandes artistas criaram peças para Lotz, notavelmente Joseph Hofmann, Koloman Moser, Maria Kirchner e Hofstatter.

    Em 1908, Loetz foi adquirido pelo filho de Max Von Spaun, também chamado de Max, e embora tivesse dificuldades financeiras (indo à falência em 1911 e novamente em 1931), havia vários grandes designers cujo trabalho foi produzido por Loetz durante aqueles anos e através da arte período deco. Entre eles, Adolf Beckert e Michael Powolny.

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