TOUCH OF GOLD II nr.5/9 by Unknown artist
TOUCH OF GOLD II nr.5/9 by Unknown artist
TOUCH OF GOLD II nr.5/9 by Unknown artist
TOUCH OF GOLD II nr.5/9 by Unknown artist
TOUCH OF GOLD II nr.5/9 by Unknown artist
TOUCH OF GOLD II nr.5/9 by Unknown artist
TOUCH OF GOLD II nr.5/9 by Unknown artist
TOUCH OF GOLD II nr.5/9 by Unknown artist
TOUCH OF GOLD II nr.5/9 by Unknown artist
TOUCH OF GOLD II nr.5/9 by Unknown artist

TOUCH OF GOLD II nr.5/9 2024

Unknown artist

Ceramic
36 cm, ø 38 cm
ConditionExcellent
Price on request

Royal Blue Collection

  • About the artwork
    Touch of Gold
    Pure craftsmanship, true beauty and Dutch historical tradition, harmoniously united into one. Touch of Gold is designer Sabine Struycken’s latest creation as part of the Royal Blue Collection, and was established in coproduction with artist Samuel Dejong. An obvious collaboration: not only do they share a passion for Delft blue patterns, the notions of eternity as well as transience play a crucial role in both their work. The ceramic apple, that Sabine Struycken uses to symbolize infinity, carries a unique Delft blue tulip pattern, hand painted by Royal Delft, de Koninklijke Porceleyne Fles – the last remaining earthenware manufacturer from the 17th century in the Dutch town of Delft. Samuel Dejong decorated the apple with a few of his characteristic golden insect sculptures, that embody both the fragility and the indestructability of our ecosystem.
  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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