What are the criteria by which Japanese atheists judge goodness and evil? by Hiroomi Ito
What are the criteria by which Japanese atheists judge goodness and evil? by Hiroomi Ito
What are the criteria by which Japanese atheists judge goodness and evil? by Hiroomi Ito
What are the criteria by which Japanese atheists judge goodness and evil? by Hiroomi Ito
What are the criteria by which Japanese atheists judge goodness and evil? by Hiroomi Ito
What are the criteria by which Japanese atheists judge goodness and evil? by Hiroomi Ito
What are the criteria by which Japanese atheists judge goodness and evil? by Hiroomi Ito
What are the criteria by which Japanese atheists judge goodness and evil? by Hiroomi Ito
What are the criteria by which Japanese atheists judge goodness and evil? by Hiroomi Ito
What are the criteria by which Japanese atheists judge goodness and evil? by Hiroomi Ito
What are the criteria by which Japanese atheists judge goodness and evil? by Hiroomi Ito
What are the criteria by which Japanese atheists judge goodness and evil? by Hiroomi Ito
What are the criteria by which Japanese atheists judge goodness and evil? by Hiroomi Ito
What are the criteria by which Japanese atheists judge goodness and evil? by Hiroomi Ito
What are the criteria by which Japanese atheists judge goodness and evil? by Hiroomi Ito
What are the criteria by which Japanese atheists judge goodness and evil? by Hiroomi Ito

What are the criteria by which Japanese atheists judge goodness and evil? 2022

Hiroomi Ito

Cartacarta giapponesePigmentoMateria naturale
140 ⨯ 140 ⨯ 4 cm
ConditionExcellent
€ 54.450

Villa del Arte Galleries

  • A proposito di opere artista

    Hiroomi Ito (Tokyo, 1970) è un artista giapponese che vive a Barcellona. Le sue opere sono immediatamente riconoscibili per le composizioni raffinate e la tecnica meticolosa, che a prima vista evocano l'estetica del Nihonga, la pittura tradizionale giapponese.

    A un'osservazione più attenta, tuttavia, la pratica di Ito rivela un linguaggio pittorico più stratificato. Plasmato dalla sua lunga residenza in Catalogna, il suo lavoro riflette un dialogo continuo tra tradizione e dislocazione, Oriente e Occidente.

    Attraverso questa sottile tensione, Ito esplora questioni di identità, memoria e origine culturale, creando dipinti che bilanciano la sensibilità classica giapponese con una prospettiva spiccatamente contemporanea e interculturale.

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