19th-Century Victorian Cameo Earrings – Mythology and Femininity in Gold by Onbekende Kunstenaar
19th-Century Victorian Cameo Earrings – Mythology and Femininity in Gold by Onbekende Kunstenaar
19th-Century Victorian Cameo Earrings – Mythology and Femininity in Gold by Onbekende Kunstenaar
19th-Century Victorian Cameo Earrings – Mythology and Femininity in Gold by Onbekende Kunstenaar
19th-Century Victorian Cameo Earrings – Mythology and Femininity in Gold by Onbekende Kunstenaar
19th-Century Victorian Cameo Earrings – Mythology and Femininity in Gold by Onbekende Kunstenaar
19th-Century Victorian Cameo Earrings – Mythology and Femininity in Gold by Onbekende Kunstenaar
19th-Century Victorian Cameo Earrings – Mythology and Femininity in Gold by Onbekende Kunstenaar
19th-Century Victorian Cameo Earrings – Mythology and Femininity in Gold by Onbekende Kunstenaar
19th-Century Victorian Cameo Earrings – Mythology and Femininity in Gold by Onbekende Kunstenaar
19th-Century Victorian Cameo Earrings – Mythology and Femininity in Gold by Onbekende Kunstenaar
19th-Century Victorian Cameo Earrings – Mythology and Femininity in Gold by Onbekende Kunstenaar
19th-Century Victorian Cameo Earrings – Mythology and Femininity in Gold by Onbekende Kunstenaar
19th-Century Victorian Cameo Earrings – Mythology and Femininity in Gold by Onbekende Kunstenaar

19th-Century Victorian Cameo Earrings – Mythology and Femininity in Gold 1830

Onbekende Kunstenaar

€ 4.500

Adin Fine Antique Jewellery

  • Over kunstwerk

    These extraordinary Victorian earrings, crafted around 1830, tell a story of refined elegance and symbolism. Finely carved cameos, encased in rich 18K yellow gold and highlighted with black enamel, depict timeless profiles adorned with crescent moonsand botanical motifs. These design elements suggest ties to mythology and nature, reflecting the Victorian fascination with storytelling through jewellery. A striking testament to 19th-century craftsmanship, these earrings are not just adornments butartefacts that connect us to an era steeped in beauty and meaning.

    Antique jewelry object group
    earrings long hanging

    Condition
    in very good condition, though there are slight imperfections on the surface of the black enamel.
    more info on our condition scale

    Country of origin
    Although it does not carry any legible control marks we believe this to be of French or Belgian origin.

    Style
    Victorian - Victorian decorative arts refers to the style of decorative arts during the Victorian era. The Victorian era is known for its eclectic revival and interpretation of historic styles and the introduction of cross-cultural influences from themiddle east and Asia in furniture, fittings, and Interior decoration. Victorian design is widely viewed as having indulged in a regrettable excess of ornament. The Arts and Crafts movement, the aesthetic movement, Anglo-Japanese style, and Art Nouveaustyle have their beginnings in the late Victorian era.
    See also: Victorian
    more info on styles

    Period
    ca. 1830
    Events & facts of this era, poetry of this era, fashion of this era.

    Source of inspiration
    Mythology (?)

    Theme
    Mythology and femininity, reflected in crescent moons and botanical motifs, symbolising harmony and natural beauty.

    Material 18K
    yellow gold (touchstone tested)
    more info on precious metals

    Techniques
    Enamelling is an old and widely-adopted technology. The ancient Egyptians applied enamels to pottery and stone objects. The ancient Greeks, Celts, Russians, and Chinese also used enameling processes on metal objects. Enamel is the colorful result offusing powdered glass to a substrate by firing, usually between 750 and 850 degrees Celsius. The powder melts and flows and hardens to a smooth, durable vitreous coating on metal, glass or ceramic. According to some sources, the word enamel comes fromthe High German word smelzan (to smelt) via the Old French esmail. Used as a noun, "an enamel" is a usually small decorative object, coated with enamel coating, such as a champlevé or a cloisonné (different techniques).

    Cameo is a method of carving, or an item of jewellery or vessel made in this manner. It features a raised (positive) relief image. There are three main materials for Cameo carving; Shells or Agate (called a Hardstone cameo), and glass. Cameos can beproduced by setting a carved relief, such as a portrait, onto a background of a contrasting colour. This is called an assembled cameo. Alternately, a cameo can be carved directly out of a material with integral layers or banding, such as (banded) agateor layered glass, where different layers have different colours. Sometimes dyes are used to enhance these colours. Cameos are often worn as jewellery. Stone cameos of great artistry were made in Greece dating back as far as the 6th century BC. They werevery popular in Ancient Rome, and one of the most famous stone cameos from this period is the Gemma Claudia made for the Emperor Claudius. The technique has since enjoyed periodic revivals, notably in the early Renaissance, and again in the 17th, 18thand 19th centuries.

    Hallmarks
    Illegible remains.
    more info on hallmarks

    Dimensions
    height 7,60 cm (2,99 inch)
    see picture with a ruler in millimeters and inches

    Weight
    9,90 gram (6,37 dwt)

    Adin Reference Nº
    24278-0417

    Copyright photography
    Adin, fine antique jewellery

    Additional information
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    jewelry glossary
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  • Over kunstenaar

    Het kan voorkomen dat een kunstenaar of maker onbekend is.

    Voor sommige werken is het niet te bepalen door wie het gemaakt is of dat het is gemaakt door (een groep) ambachtslieden. Voorbeelden zijn beelden uit de Oudheid, meubels, spiegels of handtekeningen die vaak niet duidelijk of leesbaar zijn. Maar ook sommige werken zijn helemaal niet gesigneerd.

    Ook kunt u de volgende beschrijving vinden:

    •"Toegeschreven aan …." waarschijnlijk een werk van de kunstenaar maar niet zeker of gedeeltelijk

    •“Atelier van ….” of werkplaats van” een werk uitgevoerd in het atelier of atelier van de kunstenaar, eventueel onder zijn toezicht

    •“Cirkel van ….” een werk uit de periode van de kunstenaar die zijn invloed laat zien, nauw verbonden met de kunstenaar maar niet noodzakelijkerwijs zijn leerling

    •“Stijl van ….” of  “Volger van ….” een werk uitgevoerd in de stijl van de kunstenaar, maar niet noodzakelijk door een leerling; kan eigentijds of bijna eigentijds zijn

    •“Wijze van ….” een werk in de stijl van de kunstenaar maar van latere datum

    •"Na …." een kopie (van welke datum dan ook) van een werk van de kunstenaar

    •“Getekend…”,  “Gedateerd….”  of  “Ingeschreven” dan is het werk gesigneerd/ gedateerd/ ingeschreven door de kunstenaar. De toevoeging van een vraagteken duidt op een element van twijfel

    •"Met handtekening ...", "Met datum ...", "Met opschrift..." of “Draagt signatuur/datum/opschrift” dan is de handtekening/datum/opschrift toegevoegd door iemand anders dan de kunstenaar

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