Wassily B3 by Marcel Breuer 1925 - 1970
Marcel Breuer
ToileMétalLaiton chromé
75 ⨯ 70 ⨯ 77 cm
ConditionGood
€ 3.500 - 4.500
The Millen House
- Sur l'oeuvre d'artDesigned by Marcel Breuer in 1925, the Wassily Chair is a landmark of modern furniture design and one of the most influential works to emerge from the Bauhaus. Originally known as the B3 Chair, its later nickname originates from the well-known misconception that it was designed specifically for Wassily Kandinsky. While this was not the case, Kandinsky greatly admired the design and owned an early example, which helped cement the association.
Breuer was inspired by the tubular steel handlebars of his Adler bicycle and recognized the material’s potential for furniture production: lightweight, strong, and suited to industrial manufacturing. The resulting design marked a radical departure from traditional upholstered seating and perfectly embodies Bauhaus principles of functionalism, reduction, and material honesty. The chrome-plated tubular steel frame combined with natural canvas upholstery gives the chair a minimalist yet industrial elegance and an open, architectural presence.
This particular pair comes with an especially interesting provenance. The chairs were acquired directly from the grandson of the Dutch graphic designer and architect Slothouber, who was active in the post-war modernist movement. Known for his rational, geometric approach to architecture and design, Slothouber’s work reflects clear Bauhaus and De Stijl influences. It is therefore unsurprising that he selected the Wassily chair for his own home. He moved into a new apartment in the late 1960s, at which point these chairs were purchased.
Based on this provenance and construction details, the chairs can be confidently dated to the late 1960s, corresponding with the 1968 production period by Gavina in Italy. Gavina labels were originally applied as stickers and are often lost over time; these examples no longer retain the labels, but their provenance, materials, and execution are fully consistent with late-1960s Gavina production.
Condition
– Completely original, untouched, and unrestored
– Original natural canvas upholstery
– One chair shows light signs of use to the fabric; overall both are very well preserved
– Chrome-plated frames are in excellent vintage condition, showing a beautiful, honest patina consistent with careful use
Details
Designer: Marcel Breuer
Manufacturer: Gavina, Italy
Period: Late 1960s
Material: Chrome-plated tubular steel, natural canvas upholstery
Dimensions: 73 × 79 × 69 cm
Condition: Very good vintage condition
Sold as a pair - Sur l'artiste
Marcel Breuer (Pécs, 1902 – New York, 1981) était un moderniste hungaro-américain et l'un des architectes et designers de mobilier les plus influents du XXe siècle. Figure emblématique du Style international, il acquit une renommée mondiale grâce à ses contributions novatrices à l'architecture et au design industriel.
Formé au Bauhaus en Allemagne, où il enseigna par la suite, Breuer expérimenta de nouveaux matériaux et techniques de construction, aboutissant à ses créations iconiques en acier tubulaire cintré. Son meuble le plus célèbre, la chaise Wassily (modèle B3), est considéré comme une œuvre majeure du design de mobilier moderne et symbolise la philosophie du Bauhaus, axée sur la fonctionnalité, la production industrielle et la clarté esthétique.
Après son émigration aux États-Unis, Breuer se consacra de plus en plus à l'architecture. Il développa un langage formel puissant et monumental, où le béton, la géométrie et la sculpturalité occupent une place centrale. Parmi ses œuvres les plus marquantes figurent l'ancien Whitney Museum of American Art de New York (aujourd'hui le Met Breuer), ainsi que de nombreuses résidences, bâtiments universitaires et édifices religieux en Europe et aux États-Unis. Ces bâtiments sont souvent considérés comme des chefs-d'œuvre du brutalisme, sans rien perdre de leur clarté moderniste.
Marcel Breuer est considéré comme un designer visionnaire qui a su abolir les frontières entre art, design et architecture. Son œuvre a exercé une influence durable sur des générations d'architectes et de designers et figure dans les collections des plus grands musées du monde. Son héritage constitue un chapitre essentiel de l'histoire du modernisme.
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