Scandinavian Modern silver vase on teakwood stand, model TW 17 – Kultakeskus, Finland 1964 by Unknown artist
Scandinavian Modern silver vase on teakwood stand, model TW 17 – Kultakeskus, Finland 1964 by Unknown artist
Scandinavian Modern silver vase on teakwood stand, model TW 17 – Kultakeskus, Finland 1964 by Unknown artist
Scandinavian Modern silver vase on teakwood stand, model TW 17 – Kultakeskus, Finland 1964 by Unknown artist
Scandinavian Modern silver vase on teakwood stand, model TW 17 – Kultakeskus, Finland 1964 by Unknown artist
Scandinavian Modern silver vase on teakwood stand, model TW 17 – Kultakeskus, Finland 1964 by Unknown artist
Scandinavian Modern silver vase on teakwood stand, model TW 17 – Kultakeskus, Finland 1964 by Unknown artist
Scandinavian Modern silver vase on teakwood stand, model TW 17 – Kultakeskus, Finland 1964 by Unknown artist
Scandinavian Modern silver vase on teakwood stand, model TW 17 – Kultakeskus, Finland 1964 by Unknown artist
Scandinavian Modern silver vase on teakwood stand, model TW 17 – Kultakeskus, Finland 1964 by Unknown artist
Scandinavian Modern silver vase on teakwood stand, model TW 17 – Kultakeskus, Finland 1964 by Unknown artist
Scandinavian Modern silver vase on teakwood stand, model TW 17 – Kultakeskus, Finland 1964 by Unknown artist

Scandinavian Modern silver vase on teakwood stand, model TW 17 – Kultakeskus, Finland 1964 1964

Unknown artist

WoodSilverTeak
20 ⨯ 4 ⨯ 4 cm
ConditionVery good
€ 850

Van Kerkhoff Art

  • About the artwork
    A Modernist Sterling silver vase on teakwood stand, model TW 17. Designed by Tapio Wirkkala in 1954 and handmade by the craftsmen of Kultakeskus in 1964.
    Model TW 17 was produced in serial production and could be bought either with or without the hardwood stand. Kultakeskus made the object in only one size.
    This particular example includes the teakwood stand and was made in 1964. It is fully hallmarked on the side near the base and is in very good condition.


    About Tapio Wirkkala
    Tapio Wirkkala (1915 Hanko, Finland – 1985 Helsinki, Finland) A giant of Finnish design, possessed an extraordinary creative spirit that knew no boundaries. His artistic repertoire traversed diverse materials and transcended conventional design disciplines, leaving an indelible mark on the world of art and craftsmanship.

    The trajectory of Wirkkala’s illustrious career was set in motion by a momentous glass design competition held by the revered Iittala glassworks in 1946. It was during this transformative event that Wirkkala, alongside the esteemed Kaj Franck, emerged as the joint recipients of the first prize. This recognition propelled Wirkkala into the spotlight, setting the stage for his remarkable artistic journey.

    Wirkkala’s creative genius knew no bounds. His oeuvre spanned a vast spectrum, encompassing exceptionally beautiful glass art pieces, innovative industrial designs such as beer bottles and banknotes, meticulously crafted jewelry, evocative sculptures, and thoughtfully designed furniture. Each creation bore the unmistakable imprint of Wirkkala’s artistic prowess, showcasing his mastery over form, function, and aesthetics.

    Throughout his illustrious career, Wirkkala amassed a multitude of accolades, honorary titles, and a doctorate, cementing his position as one of the most revered figures in the design world. His remarkable achievements include three Grand Prix medals at the prestigious Milan Triennale in 1954, followed by yet another Grand Prix medal and gold medal at the Milan Triennale in 1960. These prestigious awards not only celebrated Wirkkala’s unrivaled talent but also underscored his profound impact on the global design landscape.

    Wirkkala’s creative journey was an embodiment of innovation, pushing the boundaries of design and challenging conventional norms. His unparalleled ability to infuse beauty into everyday objects and elevate them to the realm of art garnered admiration and acclaim from enthusiasts and experts alike.

    Today, we celebrate Tapio Wirkkala as a visionary pioneer who seamlessly merged artistry with functionality. His enduring legacy serves as a testament to the limitless possibilities of design, inspiring generations of artists and designers to think beyond the confines of tradition and embrace their creative instincts.

    Marked
    TW (Tapio Wirkkala), 916H (916/1000 silver fineness), Kultakeskus Oy mark (reclining lion) and Finish National control mark (heart and crown). Yearmark L7 (1964).

    Execution
    Kultakeskus Oy, Hämeenlinna, Finland 1964

    Condition
    This Art object is in good condition, Some minor scratches consistent with age and use. No dents or inscriptions.

    Literature
    Marianne Aav, Tapio Wirkkala eye, hand and thought: p. 172 (illustrated), p. 360

    Dimensions
    Height 20 cm
    Width 4 cm
    Depth 4 cm
    Weight 95 grams
  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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