Voiliers à l'entrée du port de Honfleur 1865
Johan Barthold Jongkind
Acquerello
26 ⨯ 45 cm
Attualmente non disponibile tramite Gallerease
- A proposito di opere d'arteJohan Barthold Jongkind (1819-1891)
Voiliers à l'entrée du port de Honfleur (recto); Esquisse d'un voilier sur la mer (verso)
signed 'Jongkind', 'Honfleur 6 Sept 65' (recto) and 'Honfleur 21 Aout 1865' (verso)
Johan Barthold Jongkind (1819 –1891) was a Dutch painter and printmaker. He painted marine landscapes in a free manner and is regarded as a forerunner of Impressionism.
Jongkind is born in the Netherlands and studied at the art academy in The Hague until 1846 when he moved to Montparnasse in Paris, France where he studied under Eugène Isabey and François-Édouard Picot. Two years later, the Paris Salon accepted his work for its exhibition, and he received acclaim from critic Charles Baudelaire and later on from Émile Zola.
Jongkind returned to live in Rotterdam in 1855, and remained there until 1860. Back in Paris, in 1861 he rented a studio in Montparnasse where some of his paintings began to show glimpses of the Impressionist style to come. In 1862 he met in Normandy, in the famous ferme Saint-Siméon in Honfleur, with some of his artist friends, such as Alfred Sisley, Eugène Boudin, and the young Claude Monet, to all of whom Jongkind served as a mentor. Monet later referred to him as "...a quiet man with such a talent that is beyond words" . In 1863 Jongkind exhibited at the first Salon des Refusés. He was invited to participate in the first exhibition of the Impressionist group in 1874, but he declined. In 1878, Jongkind and his companion Joséphine Fesser moved to live in the small town of La Côte-Saint-André near Grenoble in the Isère département in the southeast of France. He died in 1891 in Saint-Égrève, in the same département.
Jongkind's most frequent subject was the marine landscape, which he painted both in the Netherlands and in France.His paintings are characterized by vigorous brushwork and strong contrasts. - A proposito di opere artistaJongkind trascorse la maggior parte della sua vita in Francia, tornando regolarmente nei Paesi Bassi per trarre ispirazione, soprattutto a Rotterdam, per le sue vedute della città e del porto, nonché per i suoi paesaggi di navi costiere e fluviali. I suoi paesaggi al chiaro di luna erano straordinari. La sua pennellata spontanea e libera dava ai suoi dipinti l'immediatezza del lavoro degli impressionisti, eppure erano tutti dipinti nel suo studio. I suoi contemporanei francesi ammiravano il suo lavoro e generalmente lo consideravano uno dei pionieri dell'impressionismo: Manet lo descrisse come il padre dei moderni paesaggisti.
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