A pair of empire patinated bronze and fire gilded ewers, Circa 1810 by Unknown artist
A pair of empire patinated bronze and fire gilded ewers, Circa 1810 by Unknown artist
A pair of empire patinated bronze and fire gilded ewers, Circa 1810 by Unknown artist
A pair of empire patinated bronze and fire gilded ewers, Circa 1810 by Unknown artist
A pair of empire patinated bronze and fire gilded ewers, Circa 1810 by Unknown artist
A pair of empire patinated bronze and fire gilded ewers, Circa 1810 by Unknown artist
A pair of empire patinated bronze and fire gilded ewers, Circa 1810 by Unknown artist
A pair of empire patinated bronze and fire gilded ewers, Circa 1810 by Unknown artist
A pair of empire patinated bronze and fire gilded ewers, Circa 1810 by Unknown artist
A pair of empire patinated bronze and fire gilded ewers, Circa 1810 by Unknown artist
A pair of empire patinated bronze and fire gilded ewers, Circa 1810 by Unknown artist
A pair of empire patinated bronze and fire gilded ewers, Circa 1810 by Unknown artist
A pair of empire patinated bronze and fire gilded ewers, Circa 1810 by Unknown artist
A pair of empire patinated bronze and fire gilded ewers, Circa 1810 by Unknown artist
A pair of empire patinated bronze and fire gilded ewers, Circa 1810 by Unknown artist
A pair of empire patinated bronze and fire gilded ewers, Circa 1810 by Unknown artist

A pair of empire patinated bronze and fire gilded ewers, Circa 1810 1810

Unknown artist

38 ⨯ 12 ⨯ 6.50 cm
€ 12.500

Gude & Meis Antique clocks and Music Boxes

  • About the artwork
    The ewers
    These two elegant ewers have a griotte red marble base and are decorated with masks and seahorses in the patinated bronze middle.
    The handles form into winged griffins resting on, but not attached to the spout.
    The bronze work is finely ciseled and the fire gilding is in excellent condition.

    The style
    The winged griffins are in the same style as the mythical winged female figures
    with which the well-known bronzier Claude Galle decorated handles of urns and vases. Examples of which can be found in:
    H. Ottomeyer & P. Pörschel, Vergoldete Bronzen, Münich, 1986, vol. I, FIGs. 5.12.6 and 5.12.9, pp. 364-365
    A. de Gourcuff (ed.), Pavlovsk: The Palace and the Park, Paris, 1993, p. 121.

  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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