Napoleon III Painted Rectangular Tin Tray by Unknown artist
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Napoleon III Painted Rectangular Tin Tray 1860

Unknown artist

Tin
49 ⨯ 66 ⨯ 2 cm
€ 1.200

Van Nie Antiquairs

  • About the artwork
    Toleware is a painted and varnished tin household item made to imitate the imported Chinese lacquer items that were popular in Europe in the 18th century.

    Decarated with flowers, leaves, and arabesques a polychrome and gold paint. Black background. Rounded corners.

    The painting process was developed in the 18th century by Thomas Allgood in Pontypool in Wales, an important coal mining location. He turned his attention to the possibility of producing lacquer from the by-products of coal. The paint was created with asphalt, a by-product of coal, mixed with shellac, and the mixture was applied to domestic objects made of the iron plate. Different layers were distributed, each of which was brought to a high temperature so that the finished objects were extremely resistant and never rust. This process was known as Japanning because it resembled the lacquer on Chinese trays, soon spread throughout Europe, especially in France, where the decorations were more elaborate and precious.

  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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