A Burmese hintha betel container 1800 - 1850
Unknown artist
BronzeMetal
15 cm
ConditionExcellent
€ 1.300
Famarte
- About the artworkThe betel container is in the shape of a hintha or sacred goose with prominent wings and a tail. In Burma as in India, the sacred goose was associated with royalty or longevity.
The body of the hintha separates into two halves revealing a shallow cavity, where small quantities of betel were stored.
The offering of betel--a mildly narcotic chewing quid--was an essential element of traditional Burmese society. Every household, including the royal family's, had a set of utensils for its preparation. Betel leaves, used to wrap the blend of areca-nut shavings, lime and spices, were stored in the container.
The hintha is standing upright with tail erect, a ball issuing from its beak, engraved with feathers to the body and scales to the head. - About the artist
It might happen that an artist or maker is unknown.
Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.
As well you can find the following description:
•“Attributed to ….” In their opinion probably a work by the artist, at least in part
•“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision
•“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil
•“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary
•“Manner of ….” In their opinion a work in the style of the artist but of a later date
•“After ….” In their opinion a copy (of any date) of a work of the artist
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•"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist
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