“Casablanca” or “Kassablanka” pendant, Lyfa, Denmark circa 1970 by Simon P. Henningsen
“Casablanca” or “Kassablanka” pendant, Lyfa, Denmark circa 1970 by Simon P. Henningsen
“Casablanca” or “Kassablanka” pendant, Lyfa, Denmark circa 1970 by Simon P. Henningsen
“Casablanca” or “Kassablanka” pendant, Lyfa, Denmark circa 1970 by Simon P. Henningsen
“Casablanca” or “Kassablanka” pendant, Lyfa, Denmark circa 1970 by Simon P. Henningsen
“Casablanca” or “Kassablanka” pendant, Lyfa, Denmark circa 1970 by Simon P. Henningsen
“Casablanca” or “Kassablanka” pendant, Lyfa, Denmark circa 1970 by Simon P. Henningsen
“Casablanca” or “Kassablanka” pendant, Lyfa, Denmark circa 1970 by Simon P. Henningsen
“Casablanca” or “Kassablanka” pendant, Lyfa, Denmark circa 1970 by Simon P. Henningsen
“Casablanca” or “Kassablanka” pendant, Lyfa, Denmark circa 1970 by Simon P. Henningsen

“Casablanca” or “Kassablanka” pendant, Lyfa, Denmark circa 1970 1970 - 1979

Simon P. Henningsen

SteelMetalBrassPaint
26 ⨯ 17 ⨯ 17 cm
ConditionVery good
€ 1.875

Van Kerkhoff Art

  • About the artwork
    A polished and lacquered brass pendant, model “Casablanca’ or “Kassablanka”. Designed in 1964 by Simon Henningsen and executed by Lyfa, Denmark circa 1970.

    The lamp consists of four brass interlocking cubes with rectangular cutouts. These cutouts were placed in such fashion to only allow indirect light to emerge.

    The inside of the outer three cubes are painted white and the inside of the smallest cube is painted red. The outside of all the cubes are polished.

    This shiny exterior gave the lamp it’s name. In the Danish language Kassa Blanca means shiny box. The name was also a lighthearted pun on the name of the Moroccan city and Lyfa’s own address at Blanka Road in Copenhagen.

    The Casablanca pendant hasn’t been in production for quite some time. It is not dated but stamped, our estimation is that it is probably produced circa 1970.


    About Simon P. Henningsen
    Simon Poul Henningsen (1920 Gentofte – 1974 Copenhagen) was a Danish architect and designer.

    Son of the famous Danish designer of lighting Poul Henningsen and his first wife Else Strøyberg, Simon Henningsen grew up in the heart of Danish cultural life.

    Like his father Simon studied Architecture and like his father he did not finish his education. He worked together with his father on several designs for the Tivoli amusement park in Copenhagen, eventually following in his footsteps as the chief architect in 1948.

    As he died at a young age, he was only 54 years old. He occupied himself with lighting designs only for about a decade. His first lamp Simon designed in 1954 and was dubbed the SH lamp, in the 1950’s his lights had more organic forms compared the his designs from the 1960’s.

    His two most well known designs were the Divan II, designed for the Divan restaurant in Tivoli and the Casablanca / Kassablanka lamp. Both of these designs were made by Lyfa and were complex and expensive to produce because of the materials and craftmanship used.

    Marked
    Stamped: Made in Denmark and Lyfa

    Condition
    This “Casablanca” is in very good vintage condition. Some light scratches and wear consistent of age and use. Original porcelain lamp-fitting (E27), recently rewired.

    Dimensions
    H. 26 cm
    D. 17 cm
    W. 17 cm
  • About the artist

    Danish architect and lighting designer Simon P. Henningsen was born in Copenhagen in 1920, the son of legendary lighting designer Poul Henningsen (1894-1967) and his wife Else Stroyberg. Between witnessing his father’s ongoing lighting experiments and being surrounded by design luminaries from a young age, Henningsen emerged from his formative years with a wealth of design expertise.

    During World War II, Simon began studying architecture, but like his father never graduated. Instead, he became heavily involved in hands-on work and experiments with his father. In the postwar reconstruction era, Henningsen became infatuated with the Tivoli Gardens in Copenhagen. In 1948, he became the public park’s head architect—which would become his life’s work and from where most of his lighting designs would emerge. Wanting to highlight the natural beauty, Simon developed a style that was artistic and organic, fully rejecting the use of harsh, fluorescent bulbs.

    Simon’s first light was unveiled in 1954 and was aptly named the SH Lamp in homage to his father’s collection for Louis Poulsen. Whereas the PH series was based on the researched concept of utilizing multiple shades and diffusors, Simon admitted that his shade wasn’t as scientifically composed as his father’s. Instead, Simon’s designs had a more whimsical aesthetic, realized in whirls, geometric shapes, and flower-like forms, for example the Tivoli Havelampe (1958). This garden illumination—which was later put into production by Danish lighting manufacturer Lyfa—seamlessly blended in to the natural environment of the garden. In 1959, he designed a heating lamp to prolong the outdoor season in Tivoli, which was later put into production by Fog & Mørup.

    Henningsen’s most well known work is the spectacular Divan 2 Pendant (1962), designed for the Divan 2 restaurant in Trivoli to hang over the dinner tables and to reflect the natural light of the nightly sunsets and flickering candles. A truly unique lamp, it’s made of sharply angled mirrored glass with a jazzy palette of reds and blues. Lyfa picked up the Divan 2 for its collection, and it became an immediate commercial success. In 1964, the award-winning Divan 2 was exhibited in the Louvre and installed in Georg Jensen’s 5th Avenue store in New York. Other successful lamps by Henningsen for Lyfa include the Kassablanka (ca. 1960s) and Nippon (1970) pendant lights.

    Henningsen passed away in 1974 at the young age of 54.

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