A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea
A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 by Saara Hopea

A set of two sizes Art-object, model SH 117, Nuutajärvi-Notsjö Finland 1958 & 1959 1958 - 1959

Saara Hopea

Glas
5 cm, ø 13 cm
ConditionVery good
€ 1.100

Van Kerkhoff Art

  • Over kunstwerk
    Two mold-blown, clear, dark-blue and moss-green cased glass Art-objects / bowls, model SH 117. Designed by Saara Hopea in 1956 and executed by Nuutajärvi-Notsjö in 1958 & 1959.

    An optical effect makes it appear as if the colour goes to the outer edges but the encasing is only in the interior.

    These objects were made between 1956 and 1967 in two sizes 9,5 cm and 13,5 cm in diameter, and in several colours (blue, green, yellow, purple and red) this being a complete set in green and blue. Both are early production examples.

    They are marked and dated in diamond pen underneath the base.
    Two mold-blown, clear, dark-blue and moss-green cased glass Art-objects / bowls, model SH 117. Designed by Saara Hopea in 1956 and executed by Nuutajärvi-Notsjö in 1958 & 1959.

    An optical effect makes it appear as if the colour goes to the outer edges but the encasing is only in the interior.

    These objects were made between 1956 and 1967 in two sizes 9,5 cm and 13,5 cm in diameter, and in several colours (blue, green, yellow, purple and red) this being a complete set in green and blue. Both are early production examples.

    They are marked and dated in diamond pen underneath the base.


    About Saara Hopea
    Saara Elisabet Hopea (Porvoo 1925 – Porvoo 1984) was a Finnish designer of Art-glass, furniture and jewellery.

    Saara Hopea was born in 1925 in Porvoo, in the south of Finland. Her parents Ossian Hopea and Lempi Westerlund owned a goldsmithing company.

    After attending secondary school, Hopea studied at the Interior Design Department of the Central School of Art and Design, now the Aalto University of Art and Design.

    She graduated in 1946, and worked for a few years as an illustrator, then she accepted a job at the lighting factory of Taito Oy, headed by the renowned designer Paavo Tynell.

    In the early 1950’s, Saara Hopea became interested in glass design and started working at the Nuutajärvi glass factory, where she worked under artistic director Kaj Franck.

    After her father’s death, Saara Hopea took over the direction of the family business Ossian Hopea Oy in 1959. She worked as the artistic director from 1959 to 1960 and again from 1967 and was responsible for numerous jewellery designs.

    In 1960 Saara Hopea married Oppi Untracht , an American goldsmith, photographer and writer, and they moved to New York City. Together with her husband, Saara Hopea also lived in Nepal and in India over the years until 1967, after which the couple settled permanently in Porvoo.

    For her glass designs, Saara Hopea received a silver medal at the Milan Triennials in both 1954 and 1957. She also received the Porvoo City Culture Prize in 1981 and the State Arts and Crafts Prize in 1982.

    Her retrospective exhibition was held at the Museum of Arts and Crafts in Helsinki in 1987. 28 of her works are in the collection of The British Museum in London and the MoMa in New York holds 11 of her works.




    About Saara Hopea
    Saara Elisabet Hopea (Porvoo 1925 – Porvoo 1984) was a Finnish designer of Art-glass, furniture and jewellery.

    Saara Hopea was born in 1925 in Porvoo, in the south of Finland. Her parents Ossian Hopea and Lempi Westerlund owned a goldsmithing company.

    After attending secondary school, Hopea studied at the Interior Design Department of the Central School of Art and Design, now the Aalto University of Art and Design.

    She graduated in 1946, and worked for a few years as an illustrator, then she accepted a job at the lighting factory of Taito Oy, headed by the renowned designer Paavo Tynell.

    In the early 1950’s, Saara Hopea became interested in glass design and started working at the Nuutajärvi glass factory, where she worked under artistic director Kaj Franck.

    After her father’s death, Saara Hopea took over the direction of the family business Ossian Hopea Oy in 1959. She worked as the artistic director from 1959 to 1960 and again from 1967 and was responsible for numerous jewellery designs.

    In 1960 Saara Hopea married Oppi Untracht , an American goldsmith, photographer and writer, and they moved to New York City. Together with her husband, Saara Hopea also lived in Nepal and in India over the years until 1967, after which the couple settled permanently in Porvoo.

    For her glass designs, Saara Hopea received a silver medal at the Milan Triennials in both 1954 and 1957. She also received the Porvoo City Culture Prize in 1981 and the State Arts and Crafts Prize in 1982.

    Her retrospective exhibition was held at the Museum of Arts and Crafts in Helsinki in 1987. 28 of her works are in the collection of The British Museum in London and the MoMa in New York holds 11 of her works.


    Marked
    Marked in diamondpen underneath the base: S. Hopea Nuutajärvi-Notsjö '59 (1959) & '58 (1958)

    Execution
    Nuutajärvi-Notsjö glassworks, Finland 1958 & 1959

    Condition
    These Art-objects are in good vintage condition. Some scratches on the side and several deeper scratches underneath the base. Basic wear consistent with age and use. No chips or cracks.

    Literature
    Oppi Untracht – Saara Hopea-Untracht: her life and work.

    Dimensions
    Height 5,16 & 4,42 cm
    Diameter 13,56 & 10,6 cm
    Weight 1443 & 775 grams
  • Over kunstenaar

    Saara Hopea had een vruchtbare carrière op verschillende ontwerpgebieden en drukte een belangrijke stempel op het Finse artistieke landschap van de jaren vijftig. Haar reis begon op het gebied van meubeldesign, waar ze haar vaardigheden van 1946 tot 1948 aanscherpte. Op zoek naar nieuwe kansen bundelde ze haar krachten met het bedrijf van de beroemde metaalsmid Paavo Tynell, waar ze tot 1952 werkte.

    Gedurende deze tijd droeg ze bij aan de Nuutajärvi-glasfabriek, waar haar creaties een stralende belichaming werden van de minimalistische esthetiek die de Finse stijl in de jaren vijftig definieerde, beïnvloed door de principes van de Bauhaus-ontwerpfilosofie. Met name na het overlijden van haar vader in 1948 nam ze de taak op zich om zilverwerk te ontwerpen voor zijn winkel in Porvoo.

    Een keerpunt in Hopea's leven deed zich voor toen ze trouwde en met haar man naar New York verhuisde. Hier sloeg ze een nieuwe artistieke weg in en verkende ze het domein van het emailwerk. Door haar experimenten met het overbakken van transparant email op koper, behaalde ze opmerkelijke resultaten die haar stukken een spontane en schilderkunstige uitstraling gaven, gekenmerkt door levendige kleuren en opmerkelijke diepte. Haar exquise emaille creaties vonden via exclusieve winkels hun weg naar veeleisende klanten.

    De honger naar kennis en artistieke inspiratie van het paar leidde tot een opmerkelijke reis van vier jaar door Nepal en India. Gedurende deze tijd verdiepten ze zich in de studie, fotografie en verzameling van lokaal metaalwerk en sieraden. In 1997 publiceerde haar man, sterk beïnvloed door hun ervaringen, 'Traditional Jewelry of India', een bewijs van hun verkenning en waardering van het rijke artistieke erfgoed van de regio. In 1967 keerden ze terug naar Porvoo, waar Hopea's artistieke inspanningen een breed scala aan disciplines omvatten, waaronder zilversmeden, textielontwerp en emailleren.

    De impact van Saara Hopea's talent en kunstenaarschap reikt verder dan de grenzen van Finland. Het British Museum heeft een collectie van 28 van haar werken, terwijl het Museum of Modern Art 11 kostbare voorwerpen bezit, een bewijs van haar blijvende nalatenschap. In 1988 publiceerde haar man een uitgebreid verslag van haar leven en werk met de titel "Saara Hopea-Untracht: Life and Work", waarin de opmerkelijke artistieke reis van deze rustige Scandinavische visionair werd belicht.

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