Untitled 1811 by Maria Paola Coda
Untitled 1811 by Maria Paola Coda
Untitled 1811 by Maria Paola Coda
Untitled 1811 by Maria Paola Coda
Untitled 1811 by Maria Paola Coda
Untitled 1811 by Maria Paola Coda
Untitled 1811 by Maria Paola Coda
Untitled 1811 by Maria Paola Coda
Untitled 1811 by Maria Paola Coda
Untitled 1811 by Maria Paola Coda
Untitled 1811 by Maria Paola Coda
Untitled 1811 by Maria Paola Coda
Untitled 1811 by Maria Paola Coda
Untitled 1811 by Maria Paola Coda

Untitled 1811 2021

Maria Paola Coda

CanvasAcrylic
130 ⨯ 97 ⨯ 3.50 cm
ConditionExcellent
€ 4.875

Villa del Arte Galleries

  • About the artwork
    The artist's creative process dwells on a permanent search for the beauty hiding within our state of mind. Coda examines and translates the vibratory element of beauty that goes beyond shape or colour, on to her canvas.“It’s that vibration that makes you cry when looking or listening to something without a rational reason. Beauty as a sublime concept is what interests me and what I am looking for.”The exaggerated multi layering of intensely coloured acrylics acts as a poetic emotional channel, each layer of matter represents an experience, a mood, a time and a place, which then come together to create balance.
  • About the artist

    Coda is Born in 1981 in Italy, she graduates in the Academy of Fine Arts of the city of Florence and since 2006 lives and works in Girona.

    Her personal exhibitions begin in the year 2004 in her native country, Italy. Since then, her art works have been exhibited in London, New York, Barcelona, Amsterdam, Toulouse, Florence, Girona and Ourense. 

    Her creative process dwells in a permanent search of the beauty hiding in the state of mind. Thus, the message and the shape cannot be mere figurations of the human condition.

    Maria Paola’s matter painting is born as a series of respectful monuments to beauty as well as a channel of the poetical emotions of the mutation. Maria Paola Coda’s painting is generous. This implies a formal preoccupation as well as a matter one. We are layers of time, superpositions of mental states, mood cocktails, thought and experience strata, expression and communication enjambments.

    Coda, by means of her paintings, postulates the metaphysics of the means and, at the same time, she dares posing questions with the appearances as a starting point.

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