19th Century French School Portrait of a flower seller by Unknown artist
19th Century French School Portrait of a flower seller by Unknown artist
19th Century French School Portrait of a flower seller by Unknown artist
19th Century French School Portrait of a flower seller by Unknown artist
19th Century French School Portrait of a flower seller by Unknown artist
19th Century French School Portrait of a flower seller by Unknown artist

19th Century French School Portrait of a flower seller 1790 - 1840

Unknown artist

Original oil on canvas
59 ⨯ 53 cm
ConditionGood
€ 4.995

Olischlager Antiquairs

  • About the artwork
    French School, 19th Century Probably Jean-Claude Bonnefond Portrait of a Lily of the Valley Seller Oil on canvas (original canvas) 59.5 x 53 cm

    Jean-Claude Bonnefond (1796–1860) was a French painter whose work spanned the transition between Neoclassicism and Romanticism, with a particular interest in genre scenes. His style reflects a blend of these two movements, characterized by detailed depictions of everyday life, expression of emotion, and a rich use of color. Here are some key characteristics of Bonnefond's style Bonnefond is best known for his genre scenes, depicting ordinary people in simple, everyday situations. This reflects a departure from the grand historical and mythological themes of Neoclassicism, in favor of the Romantic interest in human emotion and individual experience. Emphasis on light and color: He mastered the use of light, which often brought warmth and intimacy to his scenes. His colour palette was rich, yet natural, contributing to the realistic yet gentle atmosphere of his works. Romantically influenced, Bonnefond's works often evoked emotions, whether silent contemplation or the difficulties of everyday life. This fits Romanticism's emphasis on emotional depth and individual subjectivity, contrasting with the formal restraint of Neoclassicism.

    Provenance:
    South German private collection
    Dutch private collection
  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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