About the ArtistArtist and design duo Job Smeets and Nynke Tynagel founded Studio Job in 2000.
They redefine the applied arts for the contemporary age. Their collaboration has created highly expressive, mainly one-off or limited edition works, from the outset.
Often cast in bronze or, later, crafted from laser-cut marquetry, the physical potential and malleability of the materials they use is pushed to the hilt. Their approach is more in keeping with that of traditional guilds than anything industrial. For Studio Job, creation is pre-eminent over definition. Smeets describes it thus: “Unlike most, we are probably not coming from Modernism. Studio Job’s contribution is that we have rediscovered a lost path. Consciously and carefully, we are positioning decorative arts in the twenty-first century. Is that design? Whatever. Is that art? Whatever, really.”
Opulent, intricate and ironic, Studio Job combine an extraordinarily high level of craftsmanship with extreme ornamentation. They reference both the traditional and the topical, the organic and the artificial. This narrative conveys a tension between the good and the bad exploring all facets of each. Their iconography is at once heraldic and cartoon-like, monumental and yet somehow primitive. Due to this combination of elements, Studio Job’s style has become synonymous with the term ‘neo-gothic’. This style is placed within an enigmatic, intellectual framework by the number and complexity of symbols and signifiers it conveys.
Studio Job’s work is widely collected both in the private and public sectors. Although, by definition, their work has primarily been geared towards collectors and museums, Studio Job has collaborated successfully with various likeminded brands eg. Bulgari, Swarovski, Bisazza, Venini, Land Rover, Viktor & Rolf and Moooi. There have been solo exhibitions in eg New York, Tokyo, Los Angeles, Paris, London, Milan, Geneva, Miami and Basel. Today, Studio Job designs are in collection of more than 40 museums worldwide.