Japanese transition-style lacquer coffer 1640 - 1650

Unknown artist

MetalCopperLacquer
143 ⨯ 51 ⨯ 71 cm
Price on request

Zebregs & Röell - Fine Art - Antiques

• About the artwork
  An impressive and large Japanese transition-style lacquer coffer with fine gilt copper mounts,
  on French Régence base possibly by André-Charles Boulle (1642-1732)
  Kyoto, 1640-1650, the base 18th century
  Coffer: L. 132.7 x H. 62.8 x D. 59.3 cm
  Stand: L. 143.7 x H. 51 x D. 71.9 cm
  The coffer with shaped cartouches on a nashiji ground on the lid, front and sides, with fine decorations in various techniques: takimaki-e (high relief), tsuke-gaki (drawing with narrow lacquer lines and over sprinkling with gold and silver), usuniku-takamei-e (demi relief), kimekomi (pushed inside) and accents of kirigane (small geometrical metal mosaics). Inside the cartouche on the lid a landscape with volcanos, at their feet temples and around their summits clouds. Inside the cartouche of the front a hilly landscape with trees, huts and two cows at a waterside, under clouds. The cartouches at the sides show autumn grasses, chrysanthemum and campanula, and the back is decorated with trails of clematis. The black lacquered and gilt mounts showing a mom, a Japanese family coat of arms, are quite similar to the black and gilt mounts of the Mazarin coffer in the V&A museum (inv. 412:1-1882) and the recently acquired coffer in the Rijksmuseum (inv. AK-RAK-2013-3-1).
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• About the artist

  It might happen that an artist or maker is unknown.

  Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

  As well you can find the following description:

  •“Attributed to ….” In their opinion probably a work by the artist, at least in part

  •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

  •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

  •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

  •“Manner of ….” In their opinion a work in the style of the artist but of a later date

  •“After ….” In their opinion a copy (of any date) of a work of the artist

  •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

  •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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