A Late Roman turquoise glass rod-formed balsamarium, 4th-5th century AD by Unknown artist
A Late Roman turquoise glass rod-formed balsamarium, 4th-5th century AD by Unknown artist
A Late Roman turquoise glass rod-formed balsamarium, 4th-5th century AD by Unknown artist
A Late Roman turquoise glass rod-formed balsamarium, 4th-5th century AD by Unknown artist
A Late Roman turquoise glass rod-formed balsamarium, 4th-5th century AD by Unknown artist
A Late Roman turquoise glass rod-formed balsamarium, 4th-5th century AD by Unknown artist
A Late Roman turquoise glass rod-formed balsamarium, 4th-5th century AD by Unknown artist
A Late Roman turquoise glass rod-formed balsamarium, 4th-5th century AD by Unknown artist
A Late Roman turquoise glass rod-formed balsamarium, 4th-5th century AD by Unknown artist
A Late Roman turquoise glass rod-formed balsamarium, 4th-5th century AD by Unknown artist

A Late Roman turquoise glass rod-formed balsamarium, 4th-5th century AD 300 - 500

Unknown artist

Glass
€ 3.350

Jongeling Numismatics & Ancient Art

  • About the artwork
    Glass balsamarium with a twisted tubular body, tapering towards the applied disc base, with two trailed handles
     
    12.0 cm (h)
     
    Provenance:
    Ex anonymous Sale; Pierre Bergé Auctioneers, Paris, 17 January 2009, lot 38
     
    Intact with insignificant minor chip wanting from base
     
    Roman glass was used primarily for the production of vessels. It developed from Hellenistic technical traditions, initially concentrating on the production of intensely coloured cast glass vessels. However, during the 1st century AD the industry underwent rapid technical growth that saw the introduction of glass blowing and the dominance of colourless or ‘aqua’ glasses. By the end of the century large scale manufacturing resulted in the establishment of glass as a commonly available material in the Roman world, including technically very difficult specialized types of luxury glass.
  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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